The Mamiya 645 vs. the Contax 645 | Mamiya 645AF Sample Photos Using Kodak Portra on a Cross Country Road Trip

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Ugh, I miss my Mamiya 645AF. Over the years I’ve learned to never sell the gear that I love because I always end up regretting it. Yes, I technically upgraded from the Mamiya 645AF to the Contax 645, but there is still something so special to me about the photos I took with the Mamiya 645AF while I had it. Maybe it’s because it was my first professional medium format camera or maybe it’s because something about the images just felt more “me” than my Contax 645. Don’t get me wrong, the Contax 645 is worth every penny and takes incredible photos. You can check out some sample photos I’ve taken with it here. But, because of it’s high price tag, I feel the need to be extra cautious with it when I’m traveling and shooting. In many cases, I just leave it at home because it seems like too much of a risk to be lugging it around haphazardly. With the Mamiya 645, I didn’t overthink, I just brought it with me and didn’t worry as much about the cost if something happened to it.

While I definitely notice a difference in sharpness and quality when it comes to comparing the Mamiya 645AF and the Contax 645, I still have an affinity for the dreamy and playful vibe I got with the Mamiya. The Contax 645 is really geared towards professional photographers and high-end luxury photography. It’s super, ridiculously sharp and quite a bit more reliable than the Mamiya 645. I always had issues with focusing when it came to the Mamiya. The Contax 645 is a workhorse of a camera and I’m never disappointed with the images. You can read my full review of the Contax 645 here, or check out my YouTube video featuring the Contax here! But for anyone just starting out with medium format photography, you will not be disappointed with the Mamiya 645AF. There are so many images I took with it that I still cherish to this day.

It’s on my wish list to pick up another Mamiya 645AF at some point, just because I’d like to have it back in my collection. Before I sold it, I took it with me on a cross country road trip and I still dream about the photos I took with it. We witnessed a sunrise over the Grand Canyon, the vastness of the Hoover Dam, and the empty, movie-like landscapes across the southwestern United States. I’ve included all of my favorite photographs from that trip below so you can decide if this camera is for you! I used Kodak Portra 160 and Kodak Portra 400 film for these photos, along with the 80 mm f/2.8 lens, which is the standard lens that most people use with it. I tend to shoot with the aperture wide open when I can, which gives me that dreamy, cinematic feel that I love. But, as you will notice in some of the images, sometimes the focusing up close just wasn’t quite right. I think there was an issue with my particular camera though, because I would have trouble with the autofocus and end up just manually focusing my images. That was another reason I sold mine, but I’m hoping if I pick up another one, that it won’t have that issue!

I also love that it is super easy to take multiple exposures with the Mamiya 645AF. I found it much easier to create multiple exposures with the Mamiya than the Contax. It’s easy to forgot that you have the multiple exposure setting on with the Contax, leaving you with triple or quadruple exposures every once in a while! The Mamiya multiple exposure function was nice because you can pre-set the number of images you want to take and that way, you won’t end up shooting more than you’d planned for. I’ve included a few examples of multiple exposures with the Mamiya below!

If you’re thinking of diving into medium format photography, the Mamiya 645AF is a great place to start. The Mamiya will make you fall in love with medium format photography. It’s also nice that it’s relatively affordable (around $1500-$2000), at least compared to the Contax 645 (around $3000-5000)! The Pentax 645 is also a popular medium format camera that runs quite a bit cheaper (around $700-1000) than the Mamiya 645AF and the Contax 645, but I don’t have any personal experience with that one. I’ve heard it’s great though and is on my list to try out in the future! If you’ve never shot with 120 film before, I’d recommend starting out with a Holga GCFN or Diana F+, which are toy cameras that are much more affordable (anywhere from $60-150). The Holga is my favorite camera in the world, and the one camera I never leave home without! You can read my full review with tons of sample photos on my blog here, or watch my YouTube video!

If you’re on the hunt for a pro level medium format camera though, here’s where you can find the Mamiya 645AF or the Contax 645. There are a few different models for the Mamiya 645, but I had the 645AF model. The AFD models are a bit more modern and have the potential to use a digital back, which could save you lots of money on film. However, I’m a film girlie through and through so I like to shoot with it the old-fashioned way. But the digital back would be a great place to start and could save you some money while you’re learning the functionalities of the camera. :)

WHERE TO BUY THE MAMIYA 645AF

KEH Camera

Etsy

eBay

MAMIYA 80MM F/2.8 AUTOFOCUS LENS

KEH Camera

eBay

Etsy

WHERE TO BUY THE CONTAX 645

KEH Camera

eBay

Etsy

WHERE TO BUY THE PENTAX 645

KEH Camera

Etsy

eBay

Amazon

FILM RECOMMENDATIONS

Kodak Portra 160 120 film

Lomography 400 120 film

Kodak Gold 200 120 film

Neopan Across 100 Black & White 120 Film

If you found this post helpful or inspiring, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing.

If you have any questions, I’m always happy to help! You can contact me here, or leave a comment below! Thanks so much for stopping by! You can also check out my Amazon storefront for more camera/film recommendations. :) Have a magical day!

<3 Myles Katherine

(click to enlarge images)

(By using the links and/or codes in this blog post it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

The Best 120 Film Stocks and Where to Buy Them | My Top 5 Favorite 120 Film Brands

At this point, I’ve tried quite a few 120 film stocks and there are definitely a handful of them that I consistently return to. I’m also always on the hunt to save money where I can, so I try to balance quality and price when possible. I wanted to share my Top 5 Favorite 120 Film Brands and where to find them. To be honest, there aren’t really that many 120 films out there, unfortunately. Lomography, a company that promotes and sells cameras and film, has been doing what it can to keep 120 film alive. They have so many interesting experimental films and cameras, and are consistently creating new film stocks and quirky, creative cameras. I actually teamed up with them recently to help support their fight to keep 120 film alive! You can check out my YouTube video featuring Lomography’s Turquoise 120 film here! And while I love Lomography dearly, there are a few other film stocks I tend to stick with as well that balance sharpness, consistency, and pricepoint.

Ok, now let’s get into my top recommendations for 120 film!

1. Kodak Portra 160 or 400 Film

Kodak Portra is one of the best 120 film stocks out there. While it is the priciest on my list, it is also the most consistent and most accuratate in terms of skin tone, color balance, and clarity. The images I get with Kodak Portra 160 and 400 are always sharp, beautiful, and natural. I would say Kodak Portra is the closest to reality you will find in any 120 film stock. By this I mean, the colors beautifully mimic real life and you will end up with photos that are a stunning representation of your subject. When I’m shooting weddings, I prefer to use Kodak Portra because it has smooth skin tones, which is great for portraits, and it isn’t too weird or unusual in a way that will confuse my client. As creative as I like to get with my photography, I also want my client to be happy. I usually always have a few rolls of Kodak Portra in my fridge at all times. If you’re unsure whether Kodak Portra 160, 400, or 800 is for you, I’ll explain a little deeper. I recommend Portra 160 if you’re shooting in a super bright environment or in direct sunlight. If you’re at the beach, or in a bright field, 160 is the way to go. If it’s cloudy outside, I’d choose 400. If it’s overcast and you’re in the shade or shooting indoors, I’d recommend Kodak Portra 800. I didn’t include Portra 800 in my recommended list though because it is EXPENSIVE. I order it every once in a while and I absolutely love it, especially when shooting with the Holga 120 camera, but most of the time I simply don’t have the money to spend on it.

WHERE TO BUY

Kodak Portra 160

Amazon

B&H Photo Video

Adorama

Kodak Portra 400

Amazon

B&H Photo Video

Adorama

Kodak Portra 800

B&H Photo Video

Adorama

2. Kodak Gold 200 Film

Kodak Gold 200 is probably the film stock I use the most. It’s super affordable and has that sharp crispness that Kodak film is known for. It has a beautiful golden glow to it that is perfect for days at the beach or on vacation. I take it with me every time I travel because I love that vintage golden glow. It creates sort of a nostalgia and old timey-ness (is that a word??) that reminds me of photographs from my childhood. I try to convince myself to try out other films when I’m placing an order, but it’s really hard to beat the price and the quality on this one. I use it with my Holga pretty often too, but I try to make sure I have a lot of sunlight when using it, just because at 200 ISO, it won’t be able to capture as much detail in the shadows as a 400 ISO film. I do love it so much though and recommend it for beginner 120 film shooters because of the awesome price.

WHERE TO BUY

B&H Photo Video

Adorama

3. Lomography Color Negative 100 or 400 Film

I love Lomography’s Color Negative film so much. It’s affordable, has bright, vibrant colors, and is consistent. When I’m doing a fashion shoot or trying to capture the vivid colors of a landscape, this is a great film to use. If Kodak Portra mimics the colors in reality, Lomography Color Negative takes it up a notch. Sometimes, I have to bring down the colors in this film when scanning my images. But I’d rather have to bring it down that add saturation to my images. This is a film I always have on hand too. The Color Negative 400 is the one I’ll grab as I run out the door if I’m not sure of what environment I’m going to be shooting in. It can be difficult to get your hands on sometimes, as they sell out often, but they always restock eventually so just keep checking back. Lomography is a somewhat small company so I think it’s hard for them to keep up with the demand sometimes. That’s why I always buy in bulk when I find it for a good price on Amazon or eBay. Every once in a while I order direct from their website too, but oftentimes, I can find a better deal elsewhere. They also have an 800 ISO version too, but again, 800 film can be pricey. Sometimes, I can’t justify spending that much money on film I’m going to use in my Holga because at most, I’ll only get 12-16 shots out of it. Again, use the 100 ISO film in bright, direct sunlight, and the 400 ISO film for cloudier days or for use in the shade. :)

WHERE TO BUY

Lomography Color Negative 100

Amazon

Lomography Color Negative 400

B&H Photo Video

Adorama

Lomography Color Negative 800

B&H Photo Video

4. Neopan Acros 100 II Black and White Film

Neopan Acros is super special to me because it’s one of the first film stocks I ever used. It reminds me of when I first became obsessed with film photography and was shooting exclusively in black and white. The original version of the film has been discontinued unfortunately, but the new version is (almost) just as good. It’s one of the sharpest film stocks out there, in my opinion. And for a 100 ISO film, the shadows carry quite a bit of detail. Still, I’d recommend shooting this film in bright lighting conditions. Even on a cloudy day, you might get some unwanted graininess in the shadows. Personally, I love the moodiness that this film has. It’s great for printing in the darkroom because of it’s tonal range. These days. I always gravitate towards color film first because I like to have the option of color or black and white in post-processing. A part of me wants to get back into black and white though, because there is something so special about a true black and white photograph.

WHERE TO BUY

Amazon

B&H Photo Video

Adorama

5. Kodak T-MAX 400 Black and White Film

Kodak T-Max 400 probably one of the most affordable black and white 120 films out there. But, once again, Kodak’s quality and pricepoint is hard to beat. I don’t shoot black and white as often as I used to, but if you're a new film photography, black and white is typically cheaper in general versus color film. But I like to shoot in color and then convert to black and white in post-production if I feel the need. I just like to have the option. But if you’re new to 120 film, especially if you’re trying out a Holga or Diana F+ for the first time, cheaper is better, because I promise you, your first few rolls are going to be rough. It just doesn’t make sense to spend a bunch of money on images that will likely not turn out the way you want them to. As I always say though, don’t give up! You can also read more about the Holga here and Diana F+ here if you are interested in toy cameras. They are super affordable and great for beginners wanting to try out 120 film. They also create insanely unique images and will get you excited about film photography. Just have patience, and most importantly, have FUN!

WHERE TO BUY

B&H Photo Video

Adorama

Bonus Recommendations:

Cinestill 400D if willing to spend the cash. It’s cinematic, great in low light, and perfect for cameras like the Nikon FE2 or Canon AE-1 and you want to enhance the magic of incredible 35 mm cameras like those.

Ektar 100 if shooting only in bright daylight for vibrant colors. One of my favorite photographers, Wendy Laurel, uses Ektar 100 pretty exclusively. But she lives in Hawaii and is always in bright, colorful daylight. It works perfectly for her work, but doesn’t always work for photographers like me who live in places like Virginia with inconsistent weather.

Neopan Acros 100 (the original version), if you can find it. You can read my blog post all about this film, or check out my YouTube video comparing version one of this film to version two.

Kodak Tri-X and Ilford HP5 are also great black and white options if you’re having trouble finding T-Max, they’re just a little more expensive.


If you found this post helpful or inspiring, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing.

Thanks so much for stopping by! You can also check out my Amazon storefront for more camera/film recommendations. :) Have a magical day!

<3 Myles Katherine

(By using the links and/or codes in this blog post it supports Myles Katherine Photography. We may get a small kick back by you doing so.)