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Canon R6 Mark III Review Using the Canon RF 28-70mm f/2.8 IS STM Lens with Sample Photos | Is it Worth the Cost & Hype?

January 25, 2026

I’m SO excited to review this camera. I’ve been keeping an eye on the R5 and R6 lines by Canon for a while now. The Canon R6 Mark III was just released in November 2025 and I had the opportunity to try it out recently. And I’m not kidding when I say, this is my current dream camera. It was everything I was hoping for and is now on my list as the camera I plan to purchase this year to replace my EOS R. I’ve had the Canon EOS R, which was Canon’s very first mirrorless camera, since 2020 (I have a full blog post about this camera here). I’ve been using it as my secondary camera at photo shoots and weddings, with the Canon 5D Mark IV as my main camera. There are a lot of things about the EOS R that just made it unreliable to use as my main camera, but it had some redeeming qualities that made me still kept it in my back pocket. Mainly, the photos were incredibly sharp and it had amazing low-light functionality. But it felt fragile in my hand, the controls didn’t feel intuitive, and there were features that kept activating when I didn’t want them to. I didn’t have time to fumble around with a camera at a wedding, so the 5D Mark IV was my go-to. After testing the Canon R6 Mark III recently though, I finally feel like there’s a Canon camera that edges out my 5D Mark IV. I can say without a doubt that when I do buy this camera, it’s going to be my main camera, with the 5D Mark IV as my backup. That’s kind of crazy to say, because for years the 5D Mark IV was considered top of the line in it’s price range for professional photographers. I’m also just ready for something more modern that competes with everything else out there by other brands.

STANDOUT FEATURES OF THE R6 MARK III

As the third iteration of the R6 cameras from Canon, they have definitely worked out some of the kinks. Canon hasn’t always been able to keep up with some of the other main camera brands when it comes to autofocus and video specifically. Canon made sense for photographers, but not really videographers. I think that is finally shifting though because the autofocus and image stabilization on the R6 Mark III is the best I’ve experienced so far with a Canon camera. I’ve somehow never owned a digital camera with image stabilization and I already miss it. Once you have image stabilization, you just can’t go back. All of my cameras and lenses feel outdated now, which is a bummer, but it’s also giving me the drive and inspiration to get rid of some old gear and spring for the R6 Mark III. While it’s not the most affordable camera in the world, you get a LOT for the price. To me, yes, it’s pricey, but if you’re a professional photographer, you’ll make back that money tenfold. It’s currently priced at $2799, but it sort of hovers in that mid-range of not-affordable but not-absurdly-expensive. It’s approachable to aspiring and professional photographers, but maybe not to the average consumer. If you’re hoping to grow your business or start your business, the R6 Mark III will bring a professionality to your work that can catapult you above other photographers who maybe aren’t willing to invest that much into their gear. But I’m telling you, your gear is the most important part of your business.

Other standout features include a 32.5 MP sensor (much better than the R6 Mark II’s 24 MP sensor), up to 7K video at 60 fps (insane!), super fast continuous shooting up to 40 fps (great for sports and wildlife photography), a super sturdy weather sealed body, dual card slots, a multiple exposure option, an articulating screen (great for vloggers and video), and so many other things. From the R6 Mark II, the image stabilization was improved upon (from about 8 IBIS stops to 8.5 stops, along with some other stabilization improvements), the battery life was improved (the R6 Mark III uses a new style of battery, the LP-E6P) and a different secondary card slot that uses a CF express Type B card which is faster in terms of write speed, especially for large RAW files and those 7K video files. It still has a UHS-II SD card slot though too, so don’t worry!

For me though, the image stabillization, 7K video and autofocus are what excite me most because I’ve never had a camera with such amazing video quality AND picture quality. What I love most about Canon is the stunning photo capabilities and natural beauty of the images. But I’ve always had to sacrifice on video functionality, which has made me feel like I could only ever be a “photographer” and never a true videographer. But the R6 Mark III would really expand my capabilities as a photographer/videographer hybrid shooter, which means more work for my business.

IMAGE QUALITY

Obviously, the 32.5 MP sensor makes a huge difference, especially if you’re looking for high quality images for your clients. This means it captures more detail and allows you to create larger prints that are still super sharp. It also gives you the ability to make tighter crops, so if you’re a sports or wildlife photographer, this could be an important feature. For me though, I just want the most beautiful images with the sharpest detail and highest quality. The R6 Mark III is such a huge jump from the previous versions of the R6 and a small jump for me from my EOS R. I think the reason I loved the images from my EOS R so much is because the 30.3 MP resolution created such sharp and detailed images no matter what lens I threw on there. It never made sense for me to go with the previous versions of the R6 because the MP were 20.1 MP with the first version of the camera and 24.2 MP with the R6 Mark II. It would have been a step down photography-wise, even if they were technically better video-wise. Going through the photos from my time with the R6 Mark III, the photos reminded me of a blend of my 5D Mark IV and my EOS R. They have a slight mirrorless look to them, which are super sharp but can sometimes come across more “digital”, but they still had those lovely color tones and natural beauty that Canon is known for. I’ve tried quite a few digital camera brands over the years, and I still find Canon photos to be the most beautiful right out of the box.

View fullsize Canon RF 28-70 f/2.8 Lens at f/5.6
Canon RF 28-70 f/2.8 Lens at f/5.6
View fullsize Canon RF 28-70 f/2.8 Lens at f/2.8
Canon RF 28-70 f/2.8 Lens at f/2.8

(By using the affiliate links and/or codes in this blog post it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

WOULD I BUY THE CANON R6 MARK III?

Ohhh yes, and I plan to! It’s the camera on my list for the year. I just need to sell a bit of gear first! But it’s the camera I’ve been waiting for. The R5 line was always a bit too expensive and the R6 line didn’t make the cut for me until now. After using the R6 Mark III for a few weeks, it’s been hard going back to my EOS R and 5D Mark IV because they don’t have image stabilization and the video quality doesn’t compete at all. I’m anxiously awaiting the day the Canon R6 Mark III arrives on my doorstep. I also only have one RF lens at the moment, so I’m also considering lenses at the moment. For the images in this post, I used the Canon RF 28-70mm f/2.8 IS STM lens and loved it. It’s much more affordable than some of Canon’s fancier RF zoom lenses. I always use a zoom lens as my main lens, and I currently shoot with the Canon 28-70 f/2 USM lens. It’s a HUGE lens, but it’s incredible. It’s a bit too big for the EOS R though, which is a pretty small camera, but I think it would work with the R6 Mark III, which has a larger, sturdier body. You can read more about that lens and see sample photos here!

IS THE CANON R6 MARK III WORTH THE HYPE AND COST?

I think so! While I was only shooting with the R6 Mark III for a few weeks, I loved every second of it. I’m so ready to upgrade from my EOS R and I finally feel like the camera that I need is here, waiting for me. Do I think it’s a little overpriced? Maybe? But not really? You’re getting SO much for the price. Years ago, a camera like this would have cost $5000-7000. Or more! Especially with the incredible autofocus and 7K video. You’re getting some truly amazing features and the possibilities are unlimited. You could be a professional photographer OR videographer with this camera and it really is a true hybrid. I’ve been waiting for this camera to come out and it lived up to my hype.

WOULD I RECOMMEND THE CANON 28-70MM F/2.8 IS STM LENS TO USE WITH THE R6 MARK III?

I had such a blast with the Canon RF 28-70mm f/2.8 IS STM lens. It’s amazingly small and lightweight, which is something I’m always looking for in a camera set-up. I’m honestly so sick and tired of giant digital camera set-ups that weigh a million pounds. I can hardly wait for the day that point-and-shoot cameras can compete with the pro cameras out there, and honestly, I think we’re just about to that day! When I was walking around with the R6 Mark III and the 28-70mm f/2.8, it didn’t feel like I was carrying around a $4000 camera set-up. And to me, this is a good thing. My body didn’t hate me the next day, I didn’t feel like a target, I didn’t feel like people were staring at me, and it just felt like the perfect travel camera. Yet it still looks large and professional enough to be shoot a wedding without your clients wondering how in the world you’re getting good photos with such a tiny camera. I even compared my photos that I took with my super fancy Canon 28-70mm f/2 USM lens and there wasn’t a huge difference. The main thing you’re getting with the f/2 lens is that extra wide aperture that can really bring a zing to portraits and adds an extra surreality to your photos if you’re shooting wide open. I love lenses with a crazy wide aperture because I feel that they allow me to be more creative and stand out from other photographers. It just gives me a little something extra.

View fullsize Canon RF 28-70 f/2.8 IS STM Lens at f/2.8
Canon RF 28-70 f/2.8 IS STM Lens at f/2.8
View fullsize Canon RF 28-70 f/2 Lens at f/2
Canon RF 28-70 f/2 Lens at f/2

I haven’t decided yet if this is the lens for me, but it competes with the Canon EF 24-70mm f/2.8 L II lens that I used to shoot with, but weighs half as much. I do love my Canon RF 28-70mm f/2.0, I just wish it wasn’t so dang HUGE and HEAVY. But the photos are stunning and make it all worth it to me. The RF 28-70mm f/2.8 would be a perfect backup for the f/2 lens though and would be my choice to use when I’m traveling or just spending a day with family or walking around town. The f/2 lens is just too large and heavy to use on a daily basis. For the price, the RF 28-70mm f/2.8 is a great deal that I feel might be underpriced. Especially considering how expensive the 24-70mm f/2.8 L II lens is and I find the images comparable. But the RF lenses are known for being sharp and amazing, and they definitely live up to it. It’s obvious that Canon is fading out the EF lenses, so it’s probably time for me to invest in another RF lens and the 28-70mm f/2.8 might end up being the one that makes the most sense for me. We’ll see!

WHERE TO BUY

I always recommend B&H Photo because they have standard, competitive prices, but with crazy fast shipping and excellent customer service!


CANON R6 MARK III

B&H Photo

CANON RF 28-70MM F/2.8 IS STM LENS

B&H Photo

View fullsize Canon RF 28-70 f/2.8 Lens Multiple Exposure
Canon RF 28-70 f/2.8 Lens Multiple Exposure
View fullsize Canon RF 28-70 f/2.8 Lens at f/2.8 ISO 100
Canon RF 28-70 f/2.8 Lens at f/2.8 ISO 100

I hope this post helps you decide if the Canon R6 Mark III is for you! It’s definitely the camera for me. I’ve included a ton of sample photos below. There are no filters on these images, but I have made minor adjustments to exposures, shadows, highlights, and color temperature to fit my personal style. There is no sharpness or clarity enhancements, curve adjustments, or color grading. If you have more specific questions about the editing, please feel free to ask!

If you found this post helpful in any way, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing.

If you have any questions, I’m always happy to help! You can contact me here, or leave a comment below! Thanks so much for stopping by! You can also check out my B&H Photo storefront & Amazon Storefront for more camera/film recommendations. :) Have a magical day!

<3 Myles Katherine

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Sony A7 IV Real World Review by a Professional Photographer with Sample Photos | Is it Worth the Cost and Hype?

November 25, 2025

Here we go, the Sony A7 IV. I honestly can’t believe I’m reviewing this camera right now because I’m typically a Canon girl through and through. But the Sony A7 IV has been on my radar for a while now, so when I had the opportunity to test it out, you better believe I took it! The Sony A7 IV is known for its incredible video and autofocus, but it also takes beautiful photos. When you add in the long battery life, dual card slots, in-body image stabilization and a 33 MP full-frame sensor, it’s hard to deny this camera. I’m a full-time photographer, not a videographer, but I definitely loved switching between the photo and video modes because it was just so user-friendly and intuitive. I mainly use a Canon 5D Mark IV and a Canon EOS R, so I’m used to video that is a bit clunky with slow, unreliable autofocus. I’ve just never really had a camera that was video-forward, but the Sony A7 IV made me question if the reason I haven’t been shooting video is because I just didn’t have the right tools!

As a photographer who shoots all kinds of photographs from portraits to weddings to landscapes to food to fashion, I need a camera that is a workhorse with reliability. I need an amazing lens selection, a sturdy camera body, a long battery life, and super sharp images. When it comes to choosing a camera, there are really 5 categories I’m judging to determine whether a camera is for me — Functionality, Portablity, Durability, Clarity and Creativity. These might differ from photographer to photographer, but I’ve learned over the years what matters most to me and my business. I’m simply not a technically minded person. Of course the features of a camera matter to me, but I’m more interested in the originality and quality of my work, along with the ease of use that a cameras allows for. I shoot quickly and I take a LOT of images. I’m always working towards creating photographs that are entirely unique, creative, and original. I want to create photographs that wow my clients. I just prefer to be real with my camera reviews and share what I truly think about shooting in the real world, in a real location, with real people. Was the camera easy to use or was it confusing and glitchy? Did it handle low light well? Were the images tack sharp? Did the battery last through the shoot? Would it survive a fall if I dropped it on the concrete floor of a studio? Does it have options for creative modes? These are the things that matter to me. So if you’re wondering if the Sony A7 IV can keep up in the real world and create truly stunning photographs that will make your work stand out, you should keep reading. :)

View fullsize sony a7 iv review sigma f-2.8 24-70 dg dn ii art lens review-181.jpg
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(By using the affiliate links and/or codes in this blog post it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

FUNCTIONALITY (RATING: 4.5/5)

When I picked up the Sony A7 IV for the first time, I immediately noticed how intuitive the buttons and menu screen felt as I worked my way around it. I suppose I had always imagined myself being completely confused by a new camera brand because I’m so used to Canon cameras. However, I quickly got used to adjusting the ISO, aperture, exposure compensation and more. There are 3 custom buttons that you can assign different settings to so that you can access them quickly, like white balance, ISO, shutter speed, etc. So, depending on how you shoot, you can make everything you need super accessible. This is definitely a plus for me, especially when I’m working a wedding and need to change settings fast.

Another nice feature is having options when it comes to the touch screen. I like using the “touch to focus” option so that I can choose exactly where I want the camera to focus if I’m shooting a large group of people at a wedding or am trying to hone in on one person and catch a candid moment during cocktail hour. I absolutely hate “touch shutter” so I avoid that option at all costs. My Canon EOS R would always accidentally slip into the touch shutter mode because the button was super easy to hit with your nose if you decided to shoot through the viewfinder. It drove me crazy. But luckily the mode is tucked within the menu on the Sony A7 IV so it doesn’t accidentally change on you.

And of course, the 5-axis in-body stabilization (IBIS) is a huge upgrade for me. It’s somehow the first time I’ve ever used a professional camera with in-body image stabilization and it is definitely something I could get used to. Since I’ve never had it before, I just never missed it, but at any sort of wedding or event where I’m moving around, it would come in handy, for sure.

The fact that the A7 IV also has dual card slots is a major plus. It’s another one of those things that you don’t miss until you have it. After having them with my 5D Mark IV, it just lowered my stress levels so much when working for clients. You can record your images or video to two cards at the same time so you always have a backup of your work. There’s really nothing more important than having that safety net for a high-paying gig.

One thing I was pleasantly surprised by was the battery life. I ended up using the Sony A7 IV much more than I expected to at my most recent wedding at Mankin Mansion in Richmond, Virginia, but the battery lasted the entire 6 hour wedding day and had about 17% battery left when I got home. I did notice that once it got to about 11% battery, it died really quickly after that.

The A7 IV worked like a dream in low light and I managed to make it through the whole wedding without feeling the need to add a flash. The native ISO range is 100-51,200 expandable from 50-204,800 ISO. Some cameras say they have these wide ISO ranges but then struggle with autofocus in low light but I didn’t find that to be an issue with the A7 IV.

View fullsize sony a7 iv review sigma f-2.8 24-70 dg dn ii art lens review-220.jpg
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PORTABILITY (RATING: 5/5)

To some photographers, portability might not matter, but for me it’s a giant factor. I’m not a very large person and professional cameras can be super bulky and heavy. I often come home from a wedding feeling like I got hit by a truck because I lugged 2 DSLR’s with huge lenses around along with a camera bag stuffed with film cameras. Anywhere that I can cut weight from my bag matters. I loved how lightweight the A7 IV was, and I think it was one of the reasons I kept grabbing it from my backpack and choosing to use it over my other cameras. I was using the Sigma 24-70mm f/2.8 II Art Lens which is a lovely zoom lens with a wide aperture but is surprisingly small and light for the power that it has. I’m used to the gigantic Canon RF 28-70 f/2.0 lens (you can read more about this amazing lens here!) which is incredible but weighs a million pounds and looks a little odd on my Canon EOS R. The Sigma f/2.8 lens is even smaller than my Canon EF 24-70mm f/2.8 lens, which is the comparable lens by Canon. The A7 IV hand grip size also just feels right to me when it comes to my hand size. The Canon 5D Mark IV is much bulkier and feels much larger in my hand. In terms of portability, the Sony A7 IV really passes the test for me.

DURABILITY (RATING: 3.75/5)

I have a tendency to drop my cameras, mostly because I’m constantly switching between different ones. I often get tangled in straps and a camera ends up flying onto the sidewalk. It’s sad, but true! I’ve dropped every single one of my Canon cameras and have yet to officially break one. Luckily, I did not drop the Sony A7 IV but it did feel a bit more breakable to me than the Canon 5D Mark IV or Canon 6D that I’m used to. The Canon EOS R is also a mirrorless camera similar to the Sony A7 IV and it feels fragile in the same way, with the articulating back screen and sharper edges. I have a theory that these companies purposefully make these cameras more fragile these days because they want you to break it so that you have to buy another one… similar to iPhones… what do you think? If you’ve dropped your Sony A7 IV, let me know in the comments if you experienced any major malfunctions afterwards! I’m rating it a 3/5 just based on my intuition and experience with durable cameras. My Canon 5D Mark II and 5D Mark IV seem to truly be built to last, and it’s another one of the reasons I tend to gravitate towards Canon and DSLR’s.

CLARITY (RATING: 4.2/5)

Obviously, the clarity and overall sharpness of the images is extremely important to me. I need to know if I can blow up the images I take and hang them on a wall without them looking digitized or unnatural. If one of my wedding couples ever decides to make an oversized print to hang over their couch, I want to know that it still looks epic. While the image stabilization definitely helps to keep your images sharp and clean, I didn’t find the images to look quite as natural as the images I create with my Canon cameras. When zooming in on large groups of people, there is a bit of a “digitized” look that sort of flattens faces and makes it seem a little too “fake”, in my opinion. However, I’m talking really zooming in, like on a group of 20 people and focusing in on one face. It doesn’t make a huge difference in the grand scheme of things, and your clients would probably never notice, it’s just something that stuck out to me when going through the photos after the wedding photographed. However, I was pleasantly surprised by look of the images overall, as I remember Sony images to look more digital than most cameras just a few years ago. I think they’ve really improved on making the images as beautiful as Canon or Nikon. The color tones seem to have been improved as well, as the greens look vibrant, but natural, and the skin tones are lovely and natural as well.

The one thing that really threw me off though was the viewfinder. I tend to look through the viewfinder most of the time to take photos, instead of using the LCD touch screen. This is probably more of the old-school photographer in me, but the images looked like they were going to be awful. The quality of the image in the electronic viewfinder just isn’t the best, and I’m used to DSLR viewfinders that show you the real scene that your eyes are seeing through a mirror/prism. That would take some getting used to for me.

However, the benefit of using a mirrorless camera with a digital viewfinder is that you’re seeing exactly what the white balance/color tone/depth of field and exposure will look like when you import it into your computer. It just is a lower resolution version of it. I’m just used to seeing the scene as it stands before me, but again, I guess I’m just old school…

Overall though, after importing the photos into my computer, the images were sharp and beautiful. I find the Sony A7 IV to actually be a bit more reliable in light handling and autofocus than my 5D Mark IV and EOS R, which really does make a difference during a photo shoot. I can see myself loving the consistency and in-body image stabilization after a while though, as it would relieve some of the stress that comes along with things like weddings and corporate events where your clients expects images that don’t differ from each other too much.

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CREATIVITY (RATING: 3/5)

This is probably the most important category to me. Can I create images that are timeless, show-stopping, unique, eye-catching, breathtaking, magical? I don’t want images that are digitally “perfect.” I don’t want them to look digital, at all, actually. I prefer photographs that look natural, film-like, cinematic, and just generally pretty. I will say this, the photos I took with the Sony A7 IV surprised me. They didn’t look that different than my Canon 5D Mark IV, and the camera overall is considerably smaller and faster when it comes to autofocus and convenience. I truly enjoyed shooting with it!

Sadly though, the Sony A7 IV does not have a built-in multiple exposure function. And if it did, I probably would seriously consider using a Sony camera as my main work camera. It’s a necessity for me to have a multiple exposure function, though I understand that this feature isn’t important to everyone. For me though, it is a dealbreaker. I wish it wasn’t! Of course, you can always layer images in photoshop after your shoot and create multiple exposures on your own, but I often have so many photos to edit that I just don’t have time to play around in PhotoShop. I used to do that when I first started my business, because it does allow for more control with your multiple exposures, but I prefer to create them on the spot. I also find it to be sort of a fun challenge, to use my surroundings in that moment to create something interesting.

The other thing I noticed is the way the Sony A7 IV handled sunlight when I tried to get some lovely backlighting behind the bride. While it was probably handling the sunlight “correctly” and minimizing sun flare, maintaining detail in the shadows and not blowing out the scene, I found it to be a bit flat and boring. In that moment, I ended up switching back to my Canon cameras to capture the images the way I’m used to. There is something about the way Canon captures sunlight that is so lovely and magical.

If Sony can let go of some of the “perfection” and lean into creativity, I think I’d end up with a Sony in my camera bag. I did like that it had some creative options built into the camera like black and white, sepia, etc., which allows beginner photographers to have fun and experiment, but I didn’t find any of them to be personally exciting in any way. I’d still rather shoot the image flat and edit it in Lightroom myself.

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OVERALL SCORE - 87/100

There are so many things I truly enjoyed about this camera. The small, lightweight body, the fast and accurate autofocus, the in-body image stabilization, the reliable light-handling when photographing large groups of people, and the overall color tone of the images. Not to mention, features like the dual card slots, custom function buttons, long battery life, and low-light functionality can really change the game when it comes to wedding and event photography. I’m pleasantly surprised by the beauty and natural aesthetic of the images right out of the camera, without editing or using a picture profile. It also was just super fun to mess with the video and I can see why so many videographers choose this camera. If you’re a hybrid photographer/videographer, or you’re a videographer that wants the option of taking beautiful photos, then this camera would be perfect for you. While it definitely bums me out that it doesn’t have a multiple exposure function, I still loved having this camera in my bag for a few weeks. I knew that I could rely on it for a lot of high-stress photography moments, like a wedding, and I found myself continuously reaching for it over some of my other cameras. It’s an amazing camera that offers so much value for the price. It has everything you need for running a successful photography business, or for filming for a YouTube channel, or for traveling and photographing landscapes, nature, people, etc. I’d even say that the Sony A7 IV was even better than I expected and it makes me want to try out some of their other products, for sure. It was fun being a Sony girl for a hot minute! I’ve included tons of sample photos below so you can decide if this camera is for you!

WHERE TO BUY THE SONY A7 IV CAMERA

B&H Photo

SIGMA 24-70MM F/2.8 DG DN II ART LENS (SONY E)

B&H Photo

I hope this post helps you decide if the Sony A7 IV is for you! It’s truly an amazing camera! And it’s actually on sale through B&H Photo this year for Black Friday/Cyber Monday! You can find the deal here. I’ve included a ton of sample photos below. There are no filters on these images, but I have made minor adjustments to exposures, shadows, highlights, and color temperature to fit my personal style. There is no sharpness or clarity enhancements, curve adjustments, or color grading. If you have more specific questions about the editing, please feel free to ask!

If you found this post helpful in any way, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing.

If you have any questions, I’m always happy to help! You can contact me here, or leave a comment below! Thanks so much for stopping by! You can also check out my B&H Photo storefront & Amazon Storefront for more camera/film recommendations. :) Have a magical day!

<3 Myles Katherine

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Samsung Evoca Zoom 115 35 mm Panorama Camera Review with Sample Photos | The Best 35 mm Point-and-shoot Camera For Travel

November 6, 2025

This camera. It’s truly something special. When I was planning my trip to England for a 102-mile hike along the Cotswold Way National Trail, I knew I needed to pack light. As someone who is used to bringing at least six different cameras with me on my international adventures, it was a true challenge for me to limit myself in bag weight. When I was researching cameras for my trip and discovered the Samsung Evoca Zoom 115, I knew it absolutely had to come along for the journey. Not only was it incredibly small, it had all of the features I was looking for in a 35 mm camera, and more honestly. I still haven’t utilized this camera to it’s full potential, but all I can say is, this camera is 100% one of my favorite 35 mm point-and-shoot cameras I’ve ever used.

(By using the affiliate links and/or codes in this blog post it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

HISTORY OF THE SAMSUNG EVOCA ZOOM 115

The Samsung Evoca Zoom 115 (also known as the Samsung Fino 115S) was originally released around 1997 and is part of a series of cameras produced by Samsung in the “Evoca” line. They’re known for being incredibly user-friendly, as most point-and-shoot cameras are, but included a ton of other features that made it considered a more “advanced” point-and-shoot for the time period, such as a panorama mode, DX film coding, and a surprising zoom lens. In modern day, this camera isn’t considered “rare” necessarily, but just generally isn’t really talked about. Personally, I’m completely confused as to why people aren’t scooping these up and treasuring them forever. BUT, this also means they’re super cheap at the moment, so get one pronto! You won’t be sorry!

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MAIN FEATURES

While the set-up of the camera is pretty basic, this camera has SO many different options for a point-and-shoot camera from the 1990s. When I was hunting for a tiny 35 mm camera for my long-distance hike, there were a few key features I was looking for: a flash, autofocus, a multiple exposure mode, a panorama mode, an affordable price, and a small, lightweight body. You’d be surprised at how difficult it is to find a camera that fits all of these categories, but the Samsung Evoca Zoom 115 does! These days, I’ve become very picky with my cameras, or maybe it’s just that I know what I want now, but when I found the Samsung Evoca Zoom 115, I immediately knew it was perfect. And I’m not going to lie, the fact that it only cost me $23 on eBay was a major win in my book. I had already spent so much money planning for our hike and I had also already purchased a more expensive 35 mm, the Ricoh 500GX (I have a full blog post about this camera here!) which was meant to be my more “fancy” camera I was bringing on the trip. I just knew I wanted a camera that I could use quickly and easily, without too much fuss. A point-and-shoot camera is perfect for travel because it doesn’t require a lot of set-up and is essentially ready to go at all times. I ended up using the Samsung Evoca the most out of all of my cameras I brought on my trip because it was just so simple and convenient to shoot with.

The Samsung Evoca Zoom 115 really does have endless settings you can experiment with. As I mentioned before, it has a panorama mode that you can switch between while shooting a roll of film, which is a setting I learned to love after using my Pentax IQ Zoom 140M (read more about that camera on my blog here!). The multiple exposure setting is super easy to switch to, which is super important to me — there is a mode button that you press that will take you through 8 different settings such as bulb mode, portrait mode, sports mode, and of course, a multiple exposure setting. It also includes a “fuzzy” mode, which is a fancy intelligent mode that helps gauge the lighting and your subject to create the best image for your surroundings. The “interval” mode allows you to take photos over a certain amount of time up to 60 minutes to capture things such as sunsets or motion. A “step” mode lets you take up to 3 photos of your subject at different focal lengths. I haven’t experimented with all of these modes yet, but it will be fun to try them out!

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Multiple exposure in Bath, England
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Multiple Exposure of Big Ben in London

Then of course, the camera has exposure compensation, red-eye reduction, fill-flash, backlight control, a slow sync flash setting, self-timer, a macro setting, an infinity landscape setting, and pretty much everything else you can think of. I honestly can’t think of a single other setting that it needs. And if you need more in a point-and-shoot camera, then you probably are looking for a camera that is not a point-and-shoot. This is the ultimate point-and-shoot 35 mm camera, in my opinion.

Oh, and you can’t forget it’s crazy 38mm-115mm f/4.1-10.9 zoom lens! Obviously, I wish that the lens had a bit of a wider aperture setting, but for a camera that only costs $23 I’m perfectly content with an f/4.1 lens when it’s a point-and-shoot camera.

THOUGHTS AND OPINIONS

In case you haven’t guessed it yet, I LOVE this camera. As I’m sitting here writing about it, it’s glistening in the fall sunlight on my desk. It has a beautiful, sturdy body with a fun, snappy lens covering that you slide to turn the camera on, a shiny silver-y gold glow, and a roll of film containing photos from my sister’s birthday yesterday. I love vintage cameras so much because of the nostalgia they represent and the classic 1990s aesthetic of 35 mm photography. As a child born in 1989, I miss the 90s and I remember the cameras that my parents used to use so vividly. I’ve always loved cameras, and the Samsung Evoca Zoom 115 did not disappoint. In terms of sharpness of the images, I’m pleasantly surprised. As with most 35 mm point-and-shoot cameras, I recommend shooting with a film with a low ISO so you can get the sharpest images possible - like Kodak Gold 200, Kodak Portra 160, or Lomography Color Negative 100. I’m not always expecting much from point-and-shoots (which is why the Ricoh 500GX was my “fancy” camera for the trip, because it’s known for it’s sharpness) but, much like the Pentax IQ Zoom 140M, the Samsung Evoca Zoom surprises me with it’s sharpness and clarity. Especially because I’m typically on the move when I’m shooting with it, wandering through busy streets or trying to capture something quickly. You would think all of my images would be blurry and ugly and terrible, but somehow, this little camera captured my trip to England perfectly. I’ve already taken it with me on a handful of other adventures, and I’m sure it with go with me a lot more in the future. :)

WHERE TO BUY THE SAMSUNG EVOCA ZOOM 115

Etsy

eBay

WHERE TO BUY THE SAMSUNG FINO 115S

Etsy

eBay

35 MM FILM RECOMMENDATIONS

Kodak Portra 160

Kodak Portra 400

Kodak Gold 200

Lomography Color Negative 100

Neopan Across 100 II (black and white)

Kodak T-Max 100 (black and white)


If you’re looking for more 35 mm film recommendations, you can read more about my favorite black and white film stocks here or my favorite color 35 mm film stocks here!

If you found this post helpful or inspiring, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing.

If you have any questions, I’m always happy to help! You can contact me here, or leave a comment below! Thanks so much for stopping by! You can also check out my B&H Photo storefront & Amazon Storefront for more camera/film recommendations. :) Have a magical day!

<3 Myles Katherine

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In Camera Reviews, Film Photography Tags samsung evoca zoom 115, samsung fino 115S review, samsung evoca zoom review, samsung evoca zoom sample photos, samsung evoca zoom example photos, best 35 mm point and shoot film camera, best 35 mm point and shoot, best point and shoot camera, best point and shoot camera for travel, best 35 mm film cameras for beginners, samsung evoca zoom point and shoot, is the samsung evoca zoom 115 a good camera, what is the best 35 mm point and shoot camera, best 35 mm film camera for travel, best film cameras for amateur photographers, best film cameras for travel, best film photography blog, evoca zoom camera review, evoca zoom sample photos, evoca zoom 115 example photos, samsung fino 115S sample photos, samsung fino 115s example photos, rva film photography, rva film photographer, richmond va film photography, richmond va portrait photography, fine art photography costwolds, fine art photography of the cotswolds, hiking the cotswold way, photos of the cotswold way, sample photos samsung evoca zoom
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