Kodak Pro Image 100 35 mm Review with Sample Photos | The Best Affordable 35 mm Film Roll for Beginners & Professionals

March 18, 2026

I’m always on the hunt for an affordable film that still delivers the quality and sharpness I need when shooting film for clients or trying out new cameras to see what they’re capable of. Kodak Pro Image 100 35 mm film is definitely one of those films that I keep going back to. If you’re looking for something that rides the perfect line between quality and price, you might want to try it out!

One of my favorite things to do is test out cameras that I find at thrift stores or that friends and family members find in their attics and basements. Sometimes though, I’m taking a risk by loading a camera that I’ve never used with a roll of film, considering that the camera might not even work! Because of that, I don’t want to shoot through a whole roll of expensive film just to find out that the images didn’t turn out and I wasted money on film. Kodak Pro Image 100 is a perfect mid-range film that offers amazing quality for a middle of the road price. It’s not as crazy expensive at Kodak Portra 160, 400 or 800, but it isn’t quite as cheap as Kodak Gold 200 or Kodak Ultra Max 400. Both of those films are great if you’re looking for something standard, but I find the Kodak Pro Image 100 to come across as a little more professional with realistic color tones and lovely sharpness.

For some reason, it took me a while to get around to shooting with Kodak Pro Image 100. I just always gravitated towards Kodak Portra because many of my favorite photographers used it and it has excellent skin tones and gorgeous greens and blues. A lot of the cheaper films are unreliable with color saturation and often end up with excess orange, yellow, green or blue tones that can be difficult to remove during editing. But Kodak Portra offers the perfect amount of saturation that doesn’t look flat but also doesn’t look overly bright and unnatural. I have a full blog post about Kodak Portra 400 if you’re interested in seeing some sample photos! Eventually though, I got tired of spending so much money on film! While I still purchase Kodak Portra 160 and 400 fairly often, I reached a point where I needed to try out some more affordable film to see if it could keep up. And lately, I’ve made it a goal to try out every film stock out there! It’s been a fun adventure so far and my refrigerator is currently stocked full of 35 mm and 120 film that I’ll be testing out soon!

Overall, I’ve been pleasantly surprised by how well Kodak Pro Image 100 handles colors and light. I realized while I was editing the photos for this post, that I barely needed to adjust any color temperatures or remove excess saturation at all! The colors are accurate and natural, if not a little bright for my taste. However, this film is perfect for testing out old film cameras because it has an ISO of 100 which allows me to determine just how sharp a camera lens is. And when I’m shooting 35 mm rolls just for fun, it’s nice to have those bright pops of color when the photos are somewhat simple. I typically just walk around town and photograph trees, flowers, landscapes and portraits of my pets and my husband when I’m testing out a camera, so it makes a difference in the excitement level of the image when it’s brighter with a little extra contrast. Kodak Portra is better for fashion, portraits, and weddings because of the stunning colors and skin tones, as well as the way it handles highlights and shadows, but Kodak Pro Image 100 is just more fun and silly. It’s great for candid, lifestyle photography or day trips to the beach. It really makes flowers and foliage pop without over-saturating, which is a major feat for such an affordable film. Lately, I’ve been preferring Kodak Pro Image 100 over Kodak Gold 200 or Kodak Ultra Max 400 because Kodak Gold is often a bit too warm for my taste, unless I’m photographing at the beach, and I find Kodak Ultra Max 400 to have some unnatural-looking blue and green tones. As I’ve mentioned, Kodak Pro Image 100 is just the perfect in-between film that isn’t insanely expensive, doesn’t require a lot of editing and color adjustment, and truly captures a moment as you see it. While I wouldn’t say it’s the most magical, stunning, exciting film out there, it’s a straight-forward, approachable film that won’t break the bank. I just wish Kodak would make a 120 version of this film because I could really use a mid-range price tag on some medium format film!

WHERE TO BUY KODAK PRO IMAGE 100 FILM

B&H Photo

Amazon

(By using the affiliate links and/or codes in this blog post it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

If you’re looking for more 35 mm film stocks to try, make sure to read my blog post, The 5 Best & Affordable Black and White Film Stocks or The Best Color Film for 35 mm Cameras.

For the photos I’ve included below, I used a Minolta Maxxum STsi 35 mm camera and a Samsung Evoca Zoom 115. These are both super fun and affordable 35 mm film cameras. I also have a YouTube video about the Minolta Maxxum STsi here and a video about the Samsung Evoca Zoom 115 here!
If you found this post helpful in any way, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing.

If you have any questions, I’m always happy to help! You can contact me here, or leave a comment below! Thanks so much for stopping by! You can also check out my B&H Photo storefront & Amazon Storefront for more camera/film recommendations. :) Have a magical day!

<3 Myles Katherine

Ricoh GR IIIx Review and Comparison with the Sony RX 100 VII | Sample Photos in Miami, Florida!

March 9, 2026

Point and shoot cameras are all the rage these days and the popular ones like the Canon G7X Mark II and Fujifilm X100VI are constantly sold out everywhere. But there are quite a few lesser known brands that offer amazing little point and shoot cameras too. It’s crazy what these tiny cameras are capable of these days. I recently had the chance to test out the Ricoh GR IIIx on a trip to Miami and got to fully experience how much point and shoot cameras have improved since the early 2000s. I constantly think about my very first point and shoot camera, the Canon ELPH Powershot sd900. It was unfortunately stolen one day after I set it down at a street festival, but I won my first photography contest with a photo I took with that camera! So, in a way, point and shoot digital cameras are really what started my career as a photographer and artist!

The Ricoh GR IIIx has so many incredible qualities and it definitely impressed me with it’s ability to create photos that don’t look like they came from a point and shoot at all. It’s super compact, aesthically gorgeous, and is capable of creating images that are cinematic, film-like, and creatively inspiring. I actually tested it against the Sony RX 100VII and noticed a few key differences right away. My main takeaway from shooting with those two cameras alongside each other is that the Ricoh GR IIIx is really meant for fine art photographers who are looking for pro-level photographs in a tiny package. It’s the perfect travel camera, as all point and shoots are, but it truly stood out against the Sony RX 100VI in terms of creating photographs that look like fine art vs. candid, wide angle lifestyle shots. If you’re looking for a camera that acts more like a large DSLR or mirrorless camera, the Ricoh GR IIIx might be the better option. I always dream of the day I can shoot a whole portrait session or wedding with a point and shoot but I think my clients might think it’s a bit strange if I showed up with a camera half the size of my hand! Maybe one day…

STANDOUT FEATURES OF THE RICOH GR IIIX

1. Large APS-C Sensor

The 24.2 MP APS-C sensor on the Ricoh GR IIIx is really the key ingredient here in terms of photo quality when comparing it to the smaller 20.1 MP 1-inch sensor on the Sony RX 100VII. This sensor is more similar to what you’d find on a large, pro-level mirrorless or DSLR camera. I noticed right away how beautiful the images were, especially in low light or with a wide open aperture. I kept asking myself, why do I drag around these giant DLSR cameras all day when I could create images that are just as beautiful with a tiny, pocket-sized camera! It made all of the difference in the world when I was exploring Miami, because I’m so used to carrying around a backpack that weighs a million pounds on my travels. For this trip, I was just walking around with a small side bag and these two point and shoot cameras that weighed next to nothing. It was a game changer. I’m not sure I can ever go back to my previous ways! After using the Ricoh GR IIIx for a few days, it quickly became obvious that if your goal is to create images that you’re hoping to submit to galleries, to enlarge for prints, or images that are more “fine art”, street-style photography, the Ricoh GR IIIx is the ideal choice. The Sony RX 100VII is better for sharing to social media, capturing candid moments with friends and family, or for basic travel photography that doesn’t require a lot of thinking. The Ricoh GR IIIx is a bit more advanced and isn’t quite as user-friendly, but even though it’s geared toward more fine art photography, it’s still easy enough to use for the average consumer. All point and shoot cameras are meant to be simple, hence “point…and…shoot”, but the Sony RX 100VII wins if you’re looking for a camera that does it all without being too complicated. The Ricoh GR IIIx is better for professional photographers with a bit more experience who are looking for a pocketable travel camera that takes pro level images.

2. Multiple Exposure Function

The fact that the Ricoh GR IIIx has a multiple exposure function really levels up the camera for me in comparison to the Sony RX 100 VII. For my personal style of photography, having a multiple exposure option is a necessity. It’s hard for me to justify spending money on a camera that doesn’t have this function. However, for a lot of people this is really just a fun feature that they won’t use often, if ever. But for professional photographers, it offers that extra option for additional creativity. If you haven’t experimented with multiple exposure, I highly recommend giving it a try to see how you like it! The menu on the Ricoh is a bit annoying to scroll through, but it’s relatively easy to switch to the multiple exposure function once you find it in the menu.

3. Super sharp 40 mm f/2.8 fixed lens

When it comes to the Ricoh GR IIIx and the Sony RX 100 VII, the lenses on the cameras are probably the main and most important difference between the two. The Ricoh GR IIIx has a 40 mm f/2.8 fixed lens. This means you don’t have the option to zoom and you’re stuck with one focal length. However, 40 mm is kind of the perfect focal length if you’re looking to create a blend of portraits, landscapes, macro photography and travel. While I personally prefer wider lenses, the 40 mm is another reason this camera has a sort of “fine art” feel to the images. 40 mm is more zoomed in than the eye sees naturally, so it adds a sort of dreamy, intimate quality to the photos. While the zoom function is nice on the Sony RX 100 VII, sometimes it’s nice to work with a fixed lens because it forces you to think about composition more. You have to move and adjust to your scenario and I think it causes you to plan and execute your images a little more effectively. The Sony RX 100 VII might be easier to use because you can just zoom in to your subject to capture what you need, but sometimes I find that it can cause you to be somewhat lazy and not put as much effort in to your shot.

4. Beautiful Macro Mode

I’m not a macro photographer by any means, but once I realized that the macro mode was so easily accessible on the main dial of the Ricoh, I figured I might as well try it out! I was amazed at how stunning the images were and how simple the feature was to use. I was able to take beautiful nature shots that looked like they were made with a super expensive lens on a DSLR. The background blur when using the macro mode was gorgeously soft and natural looking. I travel a lot and I love taking photos of beautiful plants and foliage when I’m in new places, and I can tell this would be a feature I’d end up using more than I expected. The Sony RX 100 VII does not have a macro mode, but it has a closer focusing distance so you can just bring the camera in closer to your subject to get the shot. However, you won’t get that gorgeous background blur and softness that you’ll find with the Ricoh GR IIIx.

Ricoh GR IIIx

Sony RX 100VII

Ricoh GR IIIx

Sony RX 100VII

5. Gorgeous Color Tones

At the end of the day, the thing that matters most to me as a photographer is if the camera can produce photos that are beautiful, sharp and eye-catching right out of the box. I don’t love when I have to do a ton of post-processing to get my images where I need them to be. I experimented with a few side by side comparisons using the Ricoh GR IIIx and the Sony RX 100VII in Miami and noticed that the color tones of the Ricoh were much more natural and aesthetically pleasing, in my opinion. The Sony is much more saturated with bright, popping colors that might be more popular on social media, but that aren’t necessarily ideal for photographers who want more creative control over their images. I can’t stand when images are over-sharpened, over saturated and overly contrasty. I prefer to have an image that can be manipulated more easily to match my personal style, and that I don’t have to spend hours pulling out weird, overly saturated reds, oranges and yellows. The Ricoh images might seem flat and understated when compared to the Sony, but because the color tones are more natural, it’s easier to enhance them without running into weird, frustrating color adjustment problems. The ultra-wide lens on the Sony can also distort shapes a bit, whereas the Ricoh GR IIIx is more true-to-life and creates more natural portraits.

Ricoh GR IIIx

Sony RX 100 VII

Ricoh GR IIIx

Sony RX 100VII

FINAL THOUGHTS

I had such a blast using the Ricoh GR IIIx and I was actually a bit surprised by how much I loved it. As someone who travels a lot, it was such a breath of fresh air to know that I could use such a tiny camera and still produce pro level images without having to lug around my giant DSLR camera. I found the Sony RX 100VII easier to use overall, but the image quality just doesn’t really compare to the Ricoh GR IIIx if you’re a professional photographer who is used to high-quality, large sensor cameras. The background blur and lens quality of the Ricoh GR IIIx is something special. That’s not to say that the Sony RX 100 VII isn’t a great camera, because it truly is. But it depends on your needs as a photographer. For me, I wish I could blend the two together, because I love the large sensor, multiple exposure option, and color tones of the Ricoh, but I prefer a wider lens (like the 24-200 that the Sony offers) when I’m traveling. The fact that the Ricoh only has 1080p up to 60 fps when it comes to video and the Sony has 4K up to 30 fps is also an important factor to keep in mind too when weighing your options. Lastly, in terms of main differences, the Ricoh does not have a flash. It does have a hot shoe mount so you can always add your own, but I found the built-in flash to be super convenient on the Sony, especially when traveling and being out and about at night. If you’re hoping to take selfies with your friends and family while traveling, the Sony is the better option. The 40 mm lens of the Ricoh is too zoomed in to get a good group selfie and the camera just isn’t made for late night, candid party photos. So, are you hoping to create pro-level fine art photography and want a pocket sized camera that can keep up with the higher end DSLRs and mirrorless cameras? Then the Ricoh GR IIIx is for you. Or, are you looking for the perfect all-around travel point and shoot that is super easy to use, takes great video, and has a zoom lens and flash for ultimate candid, lifestyle photos ready for posting on social media? If that’s you, then go for the Sony RX 100 VII. Of course, it really all comes down to the photographer. If you’re a great photographer you can take incredible images with any camera, so by no means is either of these cameras “better” than the other. What matters is how much passion you have and what matters most to you when creating photos.

One thing about both of these cameras is that they are slippery and feel very fragile. I’d recommend making sure your wrist strap is tight, or consider a case like this one for the Ricoh, or this one for the Sony.

If I absolutely had to choose between the two? It’s tough because I probably used the Sony RX 100VII more on our trip because of how user-friendly it is, but ultimately I care about image quality and creative functionality, so I’d probably go for the Ricoh GR IIIx if I really had to choose! It’s hard though because I really need both! Maybe one day that perfect blend of these two cameras will come to life and I’ll be first in line for that one!

WHERE TO BUY THE RICOH GR IIIx CAMERA

I always recommend B&H Photo because they have competitive prices, but with crazy fast shipping and excellent customer service!

RICOH GR IIIX: B&H Photo

RECOMMENDED CARRYING CASE: Ricoh GC-12 Soft Case

WHERE TO BUY THE SONY RX 100 vII

SONY RX 100VII: B&H Photo

RECOMMENDED CARRYING CASE: MegaGear Ever Ready PU Leather Camera Case

(By using the affiliate links and/or codes in this blog post it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

If you found this post helpful in any way, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing.

<3 Myles Katherine

Polaroid Now Generation 2 Review & How-To with Sample Photos! The Best Polaroid Camera for Beginners

March 2, 2026

This camera is so darn cute. I’ve always been obsessed with Polaroid cameras, and honestly, they just keep getting better. The Polaroid Now Generation 2 camera comes in tons of different colors, takes beautiful photos, and gives you that retro, classic instant film vibe that everyone loves. Polaroid makes a few different modern versions of Polaroid cameras like the Polaroid Go (takes mini polaroids), the Polaroid I-2 (higher end, pricey Polaroid camera with more control), the Polaroid Flip (a bit more advanced, heavier, and more expensive than the Polaroid Now), and the Polaroid Now and Now+. The Polaroid Now is a great, affordable way for beginners to get started with instant film photography. There’s truly nothing more magical than watching a Polaroid come to life. And these days, it’s so important to take photos that actually mean something. The photo is printed right there in front of you and gives you something tangible to hold on to from that exact moment in time. It’s so easy for our memories to slip into the depths of the photo albums on our phones, sadly. I bring a Polaroid camera with me to every photo shoot, and on every trip I take. If I didn’t take a Polaroid, it didn’t happen. That’s my motto!

HISTORY BEHIND THE POLAROID BRAND

I’m sure you’ve heard of the Polaroid brand, but you might not know the long story behind it and how the brand is still able to exist today. The original company was started in 1937 and produced the first instant camera in 1947. Throughout the years they created the iconic Land Camera, the folding SX-70 camera, the 600 series, Spectra series, and so many more. In 2001 though, the company filed for bankruptcy, the assets were eventually sold off and the Polaroid brand pretty much ceased to exist for a while. Then, along comes a small instant film company called The Impossible Project who made it their mission to bring Polaroid back. Later down the line, they changed their name to Polaroid Originals before officially acquiring the Polaroid name and being able to market themselves as such. I’ve been there with them every step of the way, trying out the different film iterations and watching them grow into a reliable, successful company. It’s been a long road for them, but it’s so fun seeing their products labeled with the official Polaroid name.

THE MAKING OF THE POLAROID NOW CAMERA

The Polaroid Now camera is one of their original products, meant to mimic the older 600 series cameras, but with more modern features. The camera is cute and colorful, with a similar shape and size to cameras like the vintage Polaroid One-Step and Polaroid Sun600 cameras. I think my favorite part about these cameras, and the company itself, is that the photos still look exactly like they did back in the 80s. They haven’t tried to greatly enhance, change, or modernize the overall aesthetic of the photographs. I still have Polaroids my parents took of me as a kid and the color tones of Polaroids are so specific. While those have aged over the years and taken on a new color tone of their own, there is a special quality to Polaroids that simply can’t be replaced. The photos aren’t super sharp, but they have a magic candidness to them that truly captures of the essence of the moment. It can be a little frustrating to learn the quirks of Polaroid film, but that’s also part of the fun of it all.

MODERN FEATURES OF THE POLAROID NOW CAMERA

The vintage Polaroid 600 cameras were incredibly user-friendly, simple, and easy to use for the average consumer. You didn’t need to be a photographer to pick one up and take a photo. That’s why Polaroid cameras were in nearly every household back in the 80s and 90s. It’s really as simple as turning it on and snapping a photo. The Polaroid Now cameras aren’t that much different than the older 600 cameras, but there a few modern updates. For example, with the older versions of Polaroid cameras, the battery was actually inside each pack of film so you didn’t need to charge the camera. Today, the newer cameras need to be charged to be used and most of the film does not have a battery. While this sounds frustrating, it reduces environmental waste. However, the good news is, you can still buy an old 600 camera and use the new Polaroid 600 film which does have a battery built into the film. I love that they still offer the 600 film and continue to support the use of the vintage cameras. The newer cameras typically take i-Type film, which does not have a battery, and so the camera needs to be charged to work. It’s a little confusing, so just make sure to use the recommended film depending on which camera you purchase.

Front of camera, red shutter button

Flash button, yellow power button, digital film counter

And my absolute favorite feature of the Polaroid Now camera is that is has a double exposure mode! I absolutely love double exposures, so this a huge plus for me. It always bummed me out that I couldn’t do double exposures with the old 600 cameras, but now I can! I can’t wait to experiment more with this and get some really interesting photos. To turn the double exposure mode on, you simply double tap the white self-timer button on the front of the camera and you’ll see a “1” pop up on the digital counter. After your first image, it will turn to “2” before ejecting the photo after your second shot. You can also purchase a colorful filter set to use with the Polaroid Now so you can really get creative. I just got a set the other day and I can’t wait to try it out!

There is also a self-timer mode (a 9 second timer perfect for self-portraits or group portraits) and an option for turning the flash off. With the older 600 cameras, the flash would go off automatically every time. I actually love the way the Polaroid flash looks so, personally, I hardly ever turn it off. The Polaroid film typically requires a lot of light for decent images, especially if you’re shooting indoors or in the shade. The only time you might not need the flash is in bright, direct sunlight. You can also control the exposure by holding down the flash button until you see a line on the digital screen, and then pressing again for either + or -. The plus will make your photo brighter (+1/2 stop), and the minus (-1/2 stop) will make your photo a bit darker. I recommend using the darker setting if you’re in a really bright environment like the beach. The brighter setting is great if you’re in dark shade or shooting indoors.

And one of the most convenient features of the newer Polaroid cameras is that there is an app you can use alongside it. You can scan your polaroids right away and upload them to social media to share with your friends and family! You can even enter contests! With the newer model of the Polaroid Now, the Polaroid Now+, you can even control various aspects of your camera like aperture and remote shooting. Essentially, the Now+ is a bit more advanced if you prefer to have more control over your images. The Polaroid Now is easier to use and better for quick shooting or someone who just wants to pop their camera out, take a photo, and not have to worry about fiddling with settings or apps. The Polaroid Now is also a little more affordable! They’ve recently released a Polaroid Now Generation 3 model with slightly enhanced features like an updated light meter and range sensor if you’re able to spend a little more.

USB-C charging port

Viewfinder and white self timer/double exposure button

FINAL THOUGHTS

I’m just so thrilled that Polaroid is still around producing film, creating cameras, and supporting the legacy of film photography. I take a Polaroid camera with me to every photo shoot and (not even joking) I have dozens of boxes and photo albums filled with Polaroids from my shoots over the years. They are such a great way to remember the moments and people I’ve met throughout my career. The Polaroid Now camera fits right into the overall nostalgia and spot-on aesthetic of the Polaroid brand. Plus, it’s nice that I can put my vintage 600 cameras up on the shelf and keep them safe while still getting that classic Polaroid vibe in my photos that I need at each photo shoot. The Polaroid Now is an affordable, basic Polaroid camera that anyone can use. I love that it has more features than the vintage 600 cameras though so I actually prefer to use it over the vintage ones. By no means is it a low-end camera though. You still get the full experience of Polaroid photography but without complication. If you’re ready for an upgrade though, the Polaroid Now+, Polaroid Flip or I-2 are for those who want a challenge. If you want a pocket-sized camera to snap cute, tiny polaroids with your friends, the Polaroid Go is a unique, fun option.

I also highly recommend these Polaroid photo albums to protect and store your photos. I have quite a few of them and they look great on a shelf! :) If you’re on the hunt for more gift ideas for a photographer, there is also a Polaroid printer that allows you to turn any photo from your phone into a Polaroid. I actually use mine all the time!

I’m still waiting for the day that the Polaroid brand brings back film for Polaroid Land Cameras. Those cameras are incredible and produce the most gorgeous Polaroids I’ve ever seen. They stopped making the film in 2008 and it’s extremely expensive if you’re able to find film on eBay. I have a full review and YouTube video about Polaroid Land Cameras if you want to find out more! I’m keeping my fingers crossed that Land camera film is on the horizon…. we’ll see!