Contax 645 Medium Format Film Camera Review with Sample Photos - Pros & Cons - Is it Worth the Price Tag?

 

When I first became obsessed with photography, I noticed that two of my favorite photographers (Wendy Laurel & Parker Fitzgerald) used a Contax 645 Medium Format Film Camera. It became a dream of mine to one day own that camera and create images that were as sharp and stunning as their photographs were. And I’m not the only one out there - this camera has developed quite a reputation for being one of the best medium format film cameras ever created. For years, I collected cheap. affordable film cameras to use alongside my more expensive digital camera. And while I loved my cheap, crappy film cameras (and still do!), I was never able to get that high-quality, professional look that the Contax 645 seemed to offer. I tried the Mamiya 645 for a few years, which I absolutely loved. It was, by far, the best film camera I had ever used and at a much more affordable price than the Contax 645. The images were beautiful. But I still wondered in the back of my mind what it would be like to finally own a Contax 645. I sold my Mamiya 645 and decided it was time to upgrade. I’d been a professional full-time photographer for 7 or 8 years and finally felt that I deserved to own the camera I’d always dreamed of using.

When my Contax 645 arrived in the mail, I couldn’t believe it. I never thought I’d ever own one or that I’d ever allow myself to purchase one. But I convinced myself that I deserved it. I’d worked hard. And not to mention, I could write it off on my taxes! So, now that I’ve owned the Contax 645 for a handful of years now, was it worth the price tag? What are the pros & cons of the camera?

PROS & CONS OF THE CONTAX 645 MEDIUM FORMAT FILM CAMERA

PROS:

1. The Images are Everything I’d Hoped For

This camera is incredible. Sometimes, I can’t even tell them apart from my Canon 5d Mark IV. The photos are incredibly sharp and dynamic. The depth and clarity that I was always looking and hoping for with my crappy film cameras was finally there. The multiple exposures are beautiful, the low-light capabilities are great and I’m never disappointed in my photographs.

2. It’s Incredibly Easy to Use

For such an expensive, niche camera, it is surprisingly easy to use. I’m always on the lookout for cameras with Aperture-Priority - it’s my go-to setting for weddings and photo shoots. It’s essentially a partially automatic setting - you set the aperture you want and the camera does the rest. I prefer to shoot with very wide apertures to get that dreamy, surreal look to my images. When it comes down to it, I set the aperture and then I get to click away! It shouldn’t be so easy to use but it really is! You don’t even need to be a super professional photographer to use this camera. If you have a photographer friend who owns a Contax 645 and you’re interested in trying it out - don’t be afraid to ask and don’t be afraid that it’s going to be super complicated, because I promise, it’s not! There is also shutter-priority as well, which some photographers prefer over aperture-priority.

3. It Has a Multiple Exposure Setting

If you follow my work, you know how important this is to me. These days, I won’t even purchase a camera unless it has a multiple exposure option. Luckily, the Contax 645 has a lever on the side of the camera that you switch on. It stops the film from advancing so that you can take as many photos over top of each other as you’d like. The one thing I don’t like about it is that it can be easy to forget that I flipped the lever and I end up with triple or quadruple exposures before I realize that I need to flip it back. Luckily, the shutter makes a different sound when it’s using the multiple exposure function, so I’ve learned to pay attention to the sound.

4. It is Sturdy and Reliable

I’ve been using my Contax 645 for years with no issues, whatsoever. I take this camera to the beach pretty often too, and it has yet to run into any problems from the humidity or sand. Also, one of the photographers I mentioned earlier, Wendy Laurel, lives in Maui and uses two Contax 645s. She’s constantly around water and sand and still chooses to use the Contax 645 as her main camera. I’ve definitely bumped this camera a few times against doorframes and countertops too, but it hasn’t caused any issues. It feels durable when you’re holding it and you can tell that it was made to last. There’s a reason that people still love this camera and it’s because they’ve continued to last and function, even though they were released in the late 1990s. I will say that I do not use this camera as my main camera, so I don’t run this camera into the ground. I’m not entirely sure how it would fare in that case, but considering many photographers use it as their main camera, it seems they are quite reliable and professional in that regard.

5. The Zeiss Planar 80mm f/2.0 lens is Magical

I opted to go for the classic and highly regarded Contax Carl Zeiss Planar 80mm f/2.0 lens that this camera is known for. It’s incredible for portraits, has beautiful bokeh when using wide apertures and is super sharp when using more narrow apertures. If you’re a portrait photographer, you can’t get much better than this. It’s specifically great for wedding photography, especially if you’re looking for those beautiful, close-up portraits with dreamy background bokeh to amp up your portfolio. I have some wedding clients who specifically request for me to use this camera - typically, clients who know a thing or two about photography. This lens is EVERYTHING. To be completely honest, I wouldn’t consider myself to be a portrait photographer or consider portraits to be one of my strong suits, but this camera makes me feel like the most incredible portrait photographer in the world. I’ve definitely learned a lot from this camera, just because it shows me what portraits SHOULD look like and how important the lens is when it comes to your subject.

PURCHASE A CONTAX CARL ZEISS PLANAR 80MM F/2.0 LENS ON KEH CAMERA

PURCHASE A CONTAX CARL ZEISS PLANAR 80MM F/2.0 LENS ON EBAY

CONS:

1. It is Huge and Heavy

For many photographers who use the Contax 645, it’s their main camera. They don’t lug around 10 other cameras to all of their shoots like I do. Yes, I have a problem! I just enjoy a lot of different cameras because of the unique vibe that each one offers. However, when I do bring the Contax 645 with me, I never regret it. It always ends up taking my favorite photos from the day. It’s just that half of the time, I end up leaving it at home because it’s just SO gigantic and a pain to carry around. Unfortunately, this means that I don’t get as much use out of it as I’d like to. But I’m working on leaving more cameras at home, so that I can bring this one instead. And I haven’t quite made the transition to shooting entirely film. I still rely on my digital camera for taking the majority of my images. One day though, I plan to make the Contax 645 my main camera and use my digital camera as a back up. One day…

2. It’s Expensive

Yes, everyone knows that this camera is NOT cheap. There are much more expensive cameras out there though, for sure. For me, this camera falls right into the tip top of my range of comfort when it comes to spending. I’m definitely not at a place where I’d spend $30,000 on a camera. $3,000-4,000 though, if I know it’s going to benefit my work and my business, that feels more comfortable to me. It remains one of the most expensive purchases I’ve ever made for my business. But I know that I’d never have felt complete without it. It was more of a personal goal for myself, to own and use this camera. I finally felt that I’d made it to the level of my muse photographers. I finally realized that I was just as good as they were. I had accomplished an enormous goal and dream of mine. And that is priceless. Of course, if you aren’t quite ready to shell out thousands of dollars for a Contax 645, the Mamiya 645 is truly an amazing camera too that will get you that medium format look without the hefty price tag.

3. Repairs are also Expensive

While I’ve been lucky enough to not have to repair my Contax 645 yet, I know that it might happen one day. Because the camera is so large and heavy, it’s definitely more prone to drops and bumps. I’m extremely careful with mine though, which is funny because I’m not careful with any of my other cameras. But I want this one to last. I know that Nippon Photoclinic is authorized to repair them, but I also know they are quite expensive. The good news is that the Contax 645 is a very sturdy and reliable cameras in general. Just make sure you’re buying one from a reputable seller and that they have some sort of return or warranty for the first few months while you’re testing it out for issues.


SO, WOULD I BUY IT AGAIN?

Some people may think I’m crazy for owning this camera but it was a huge milestone for me, personally. I would absolutely buy it again. The images are 100% worth it if you’re looking for flawless, incredible medium format photographs. They amaze me every time I get a roll of film back. If you have the funds and it’s a camera you’ve always been dreaming of, you won’t regret it. Just please make sure you’re getting it from a trusted seller.

Also, if you’re thinking about taking the leap, it’s better to do it sooner rather than later. These cameras are only going to get older, more used and more expensive. There are still quite a few out there in great condition, so I’d take advantage of that!

WHERE DO I BUY IT?

I recommend KEH camera first and foremost. They are always great with returns and are extremely knowledgeable whenever I talk to them on the phone about any issues I’ve had with a camera. They buy, sell and trade used camera equipment and are my go-to when it comes to buying used gear. However, they don’t always have the gear you’re looking for just because gear is constantly going in and out. I recommend to keep checking back every week or two. Or as a secondary option, I recommend eBay. I’ve bought a LOT of gear off of eBay over the years. Just make sure to check the sellers reviews and percentage rating on their sales. Lastly, there is always Amazon. However, there aren’t always Contax 645’s available on Amazon just because it is a used camera and there aren’t a whole lot of them out there. But if you’re able to find one on there and trust the seller, go for it! Plus, Amazon returns tend to be pretty straightforward if you’re not happy with your purchase.

CAMERA

PURCHASE A CONTAX 645 ON KEH CAMERA

PURCHASE A CONTAX 645 ON EBAY

PURCHASE A CONTAX 645 ON AMAZON


LENS

PURCHASE A CONTAX CARL ZEISS PLANAR 80MM F/2.0 LENS ON KEH CAMERA

PURCHASE A CONTAX CARL ZEISS PLANAR 80MM F/2.0 LENS ON EBAY

FILM RECOMMENDATIONS

Kodak Portra 160 120 film

Lomography 400 120 film

Kodak Gold 200 120 film

Neopan Across 100 Black & White 120 Film

#CommissionsEarned

I’ve included more of my favorite images I’ve taken over the years with my Contax 645 below. I hope this has helped you in deciding whether the Contax 645 is for you. I love this camera with my whole heart and probably won’t ever sell mine. The photographs are just too beautiful. Writing this blog post has definitely reminded me that I need to use it more often!

I also have a YouTube video about the Contax 645 on my YouTube channel, Cameras & Cats! You can check it out here. :)

If you found this post helpful or if you’d like to see more of my work, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards film & processing. Find out more here!

Feel free to leave any questions, thoughts, comments below. Have a lovely day!

<3 Myles Katherine

 

Nikon FE2 Review with Sample Photos | Nikon FE2 vs. Pentax K1000 | The Best 35 mm Camera for Beautiful Multiple Exposures

 
 
 

I’ve had my Nikon FE2 for almost 10 years now and I LOVE it. It was my first “nice” 35 mm camera. Up until the day that I purchased it, I’d been using cheap 35 mm cameras and making it through just fine. However, I was ready for sharper, more expensive-looking film photos with beautiful bokeh and background blur. I wanted my images to look as sharp and high quality as my digital photos from my 5D Mark II but BETTER, with a filmy vibe that couldn’t be achieved with a digital camera. I headed to Blue Moon Camera in Portland, Oregon with the intention of buying a Pentax K1000 upon recommendation from a friend. I didn’t know much about the camera and was going into it somewhat blindly. After chatting with the sales associate though, I quickly realized that the Nikon FE2 was better suited for me and my personal photography needs. The Pentax K1000 didn’t have a multiple exposure feature, so I immediately knew it wasn’t for me. You can sort of “trick” the K1000 into creating a double exposure, but I wanted it to be easy and quick, as I’m often at weddings and don’t have time to guess or mess with rewind buttons. And I’ve learned over the years that I NEED a reliable multiple exposure feature with every camera that I buy. Also, The Nikon Nikkor lenses are known for being SUPER sharp, which was something else I was looking for. AND, most importantly, the Nikon FE2 has Aperture Priority. The Pentax K1000 is a manual-only camera. As a wedding photographer, Aperture Priority is a NECESSITY. I’m honestly SO glad I chose the Nikon FE2 over the K1000 because I think I’ve gotten way more use out of it than I would have with the K1000. It’s just more “me”. I think that’s such an important part of the process when you’re searching for a new camera - don’t get stuck in the idea of one specific camera because it might not be the right one for you. I’m glad I stayed open-minded and went with the one that Blue Moon Camera was recommending.

The Nikon FE2 is a 35 mm film single lens reflex (SLR) camera and was originally manufactured in Japan from 1983 to 1987. It’s super sturdy and well-made, but not too bulky or inconvenient. It’s the perfect travel size, in my opinion, AND it has that beautiful classic film camera look to it. The shutter is extremely satisfying and I love pulling the film advance lever in-between shots. To create a multiple exposure, there is a tiny little lever sitting in front of the main film advance lever. You slide that lever over to the right and hold it while advancing the larger film advance lever. Basically, instead of the film advancing to the next frame, it stays on the same one so you can shoot over it. You can do this as many times as you want on the same frame! It’s super easy, which is why I love this camera so much!

The Nikon FE2 uses F-mount lenses and I personally have the 50mm f/1.4 AF Nikkor lens. It’s important to keep in mind that the lens is technically newer than the camera so the AF feature does NOT work. The lens will be fully manual when attached and will not have any autofocus features. While this is a bummer, most cameras from this time period were fully manual. It’s also part of the fun! I’m not going to lie, manual focusing can be a pain sometimes and takes some getting used to, but the results are WORTH IT.

I have a video on my YouTube channel, Cameras & Cats, about the Nikon FE2 too, so make sure to check that out below! I’ve also included some of my favorite images I’ve taken over the years with the Nikon FE2. I hope you love this camera as much as I do!

You can find links to the camera, as well as my personal film recommendations below!

CAMERA:

Purchase a Nikon FE2 on Amazon!

Purchase a Nikon FE2 on eBay!

Purchase a Nikon FE2 on KEH Camera!

LENS:

50mm f/1.4 AF Nikkor

35-70mm f/3.3 AF Nikkor (more affordable zoom lens)

FILM RECOMMENDATIONS:

Kodak Gold 200 35mm film

Kodak Portra 160 35mm

Lomography 100 35mm film

If you found this post helpful or if you’d like to see more of my work, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing. Find out more here!

Thanks so much for stopping by!

<3 Myles Katherine

 

How to Make Film Soup - 8 Easy Steps with Results and Film Soaking Tips

 

I FINALLY made Film Soup! Film Soup is just another way of describing a “film soak” and it really means just that - soaking your film rolls in some sort of liquid to get unique results. I’ve been wanting to try this for years but I somehow never got around to it (and was mostly just terrified that I’d ruin my film)! During COVID-19 though, I was able to find some free time to shoot a few rolls of film for fun and was willing to risk their lives for a film soaking experiment. One of my favorite film photographers, Wendy Laurel, is a film soaking QUEEN and I’ve been paying attention over the years to how she soaks her film. It’s not hard at all, until you get to the point that you have to drop your film into the liquid and hope that it turns out! Luckily, you can’t REALLY mess it up. And in my opinion, the more colorful and strange your photos turn out, the better! It’s a super exciting way to create unique and completely original images, and I’m all about that.

Step 1: Shoot your Film!

Some people soak their film BEFORE they run it through their camera, but I decided not to do this simply because it made me nervous to risk having any sort of chemical or liquid mess up the inside of my camera. Personally, I think it’s much safer to soak your film after you shoot the roll. Plus, if you shoot the roll and decide you DON’T want to risk soaking it, then you’re good to go!

Step 2: Prepare your concoctions

The opportunities are endless when it comes to choosing the liquids to soak your film in. Some of the classic choices are lemon juice, tea, vinegar and salt water. But you can try any kind of liquid you’d like, though it’s probably going to turn out best if it’s something acidic. For each liquid, you just pour a little bit in the bottom of a bowl. There’s no “correct” measurement here - just trust your intuition! A quick lemon squeeze, a few tablespoons of vinegar, etc. It’s totally up to you! That’s the fun of it. :)

Step 3: Pour (almost) boiling water over the liquids

You’ll want to dilute the liquids you chose in Step 2 with hot water. I used boiling water that had cooled down a little bit. Hot water tends to work better than cold water in terms of getting a reaction out of your film. So just pour hot water in each bowl until there’s enough liquid to cover your film roll when you drop it in.

Step 4: Get up the courage to drop your film rolls in the water!

This was the hardest part for me! But it’s also just so thrilling because you have no idea how it’s going to turn out. Drop your film roll into the liquid mixture and let it sit for AT LEAST 15 minutes. My fav photographer I mentioned above, Wendy, usually soaks hers for about an hour. Some people soak their film up to 24 or 48 hours! Again, there are no rules really, but I think 15 minutes at minimum, just to make sure you get some type of result at the end of it all.

Step 5: Rinse the Film

After your film has soaked, you’ll want to rinse the film rolls as best you can to get off any excess chemicals or acid that might continue to dissolve the film. We don’t want the film to disappear into thin air! I rinsed mine with cold water for a good 30 seconds each and then let them each soak in a bowl of clean, cold water for 15 minutes.

Step 6: Let the Film Dry!

You did it! Now, just set the film somewhere safe to dry for at least a week before sending it off to the lab to get developed.

Step 7: Send the film off to get processed (or process it yourself if you’re lucky enough to have a darkroom in your home)!

After a week of drying, you can send off your film to get processed so that you can finally witness your masterpieces! IMPORTANT TIP: Check with your film lab BEFORE you send your film in, to make sure they are able to process soaked film. Some labs aren’t willing to do it, as the chemicals that might still be lingering on the film can alter their chemicals and ruin other people’s film. We DEFINITELY don’t want this to happen. The film lab I usually use actually wasn’t able to do it, so I ended up sending my film to Blue Moon Camera in Portland, Oregon. I made sure to individually label each film roll with what kind of solution I soaked it in so that they could determine the best way to process it in their lab.

Step 8: Obsess over your images!

You did it! I scan my film myself so I had the film sent back to me and then I used my Epson V750 scanner to finally view my images. It was a long wait but TOTALLY worth it. I can’t wait to do it again! And next time, I think I’ll try a 24 hour soak. :)

Let me know how your Film Soup turned out! Feel free to leave any thoughts, comments or questions below! You can also check out my full youtube video showing my first Film Soup experience! Or scroll down to see how my images turned out!

If you found this post helpful or if you’d like to see more of my work, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing. Find out more here!

Thanks so much for stopping by! Have a lovely day!

<3 Myles Katherine