Lomography Redscale XR 50-200 Color Negative Film Review with Sample Photos!

July 15, 2026

I lovvvve trying out Lomography’s fun film stocks. I easily get bored with standard color film so it’s always an exciting day when I load my camera with something that is more unique and unpredictable. Lomography Redscale XR ISO 50-200 is definitely unlike any other film I’ve ever used and I’m already excited to shoot through another roll. It’s bold and unusual, but has a cinema-like quality to it that is moody and surreal. I’ve tried it out in the 120 format before but this is the first time I’ve tried it in 35mm. It’s always nice to have 36 images per roll, as opposed to the 12 images I get shooting with my Holga camera. While I love medium format so much, it makes a huge difference when I have a bit more freedom to take photos without having to carefully plan each one.

Redscale XR 50-200 Using a Holga GCFN

(By using the affiliate links and/or codes in this blog post, you help support Myles Katherine Photography. I may earn a small commission at no additional cost to you if you make a purchase through these links. Thank you for your support!)

I’ve experimented with Lomography’s LomoChrome Purple and LomoChrome turquoise film, and I’m obsessed with both of them. The Redscale sort of falls into a different category to me, because it reminds me more of a sepia film tone, but with a more saturated effect. I used a Contax T2 for these photos and it took me a while to shoot through the roll because I like to save my Contax T2 for special occasions. I have a full blog post and YouTube video about this camera if you want to find out more about it! This roll includes photos from a recent engagement shoot, a fashion shoot with designer Liza Reitz in Portland, Oregon, photos of the Oregon Coast (my favorite place in the world), and a cute snowy walk with my husband and our dog throughout our neighborhood.

Overall, I love the color tone of the film, though I will say it’s a bit difficult to scan. I use an Epson V750 Pro (the Epson V850 is the latest model of this scanner), so I scan all of my film myself. My scanning program automatically tries to guess the correct exposure and tonal range of the film I’m scanning, so I typically have to manually adjust the levels and tint to get the colors to look correct. It can be a pain, but I honestly truly enjoy the process of scanning film because it gives me full control over my images. I’d rather spend an afternoon scanning film than doing anything else!

I do find the film to be a bit grainy for an ISO range of 50-200. Since I was using the Contax T2, the camera automatically sets the ISO to 200 because the film is DX-coded for 200. I’ve since learned that I can shoot the roll with a higher exposure compensation and the film will act more like ISO 50 or 100. I definitely want to try that out next time because the film did tend to shoot somewhat dark.

I did notice how intensely the images varied based on the lighting conditions. The images I shot indoors took on a more red tone, while the images I shot outside were more orange/yellow. It’s kind of fun how wide the range was because it makes it unpredictable. which I actually love. I can understand how this might frustrate someone though, especially if you’re used to shooting film thats more consistent throughout the roll, like Kodak UltraMax 400 or Kodak Gold 200. This film does need a lot of light, so on my next roll I will make sure to use a flash if I’m shooting indoors. The shadows aren’t the most detailed and the subject tends to get lost in the unusual color temperatures.

Overall though, I definitely want to shoot with this film again and maybe focus more on landscapes and nature. I think it creates stunning scenic shots and I think it would be fun to experiment with the ISO range a little more. it would be nice to shoot with a camera that I have a bit more control over the ISO and try shooting this film at ISO 50 to see just how sharp it can be.

I’ve already ordered another roll so we’ll see how the next one turns out! Make sure to try out Lomography’s LomoChrome Purple if you haven’t already - it’s one of my favorite film stocks out there! I just love anything that stands out from the norm and Lomography is always hitting it out of the park in that regard. I feel so lucky to live in a time when film is still valued and still created.

WHERE TO BUY LOMOGRAPHY REDSCALE XR ISO 50-200 FILM

35 MM

B&H Photo

120 FORMAT

B&H Photo

Amazon

If you’re looking for more film recommendations, make sure to read my post The Best Color Film for 35 mm Cameras. Or if you’re on the hunt for a 35 mm film camera, check out my post Top 10 Best 35 mm Film Cameras for Beginner Photographers.

If you found this post helpful in any way, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing.

If you have any questions, I’m always happy to help! You can contact me here, or leave a comment below! Thanks so much for stopping by! You can also check out my B&H Photo storefront & Amazon Storefront for more camera/film recommendations. :) Have a magical day!

<3 Myles Katherine

Kodak Pro Image 100 35 mm Review with Sample Photos | The Best Affordable 35 mm Film Roll for Beginners & Professionals

March 18, 2026

I’m always on the hunt for an affordable film that still delivers the quality and sharpness I need when shooting film for clients or trying out new cameras to see what they’re capable of. Kodak Pro Image 100 35 mm film is definitely one of those films that I keep going back to. If you’re looking for something that rides the perfect line between quality and price, you might want to try it out!

One of my favorite things to do is test out cameras that I find at thrift stores or that friends and family members find in their attics and basements. Sometimes though, I’m taking a risk by loading a camera that I’ve never used with a roll of film, considering that the camera might not even work! Because of that, I don’t want to shoot through a whole roll of expensive film just to find out that the images didn’t turn out and I wasted money on film. Kodak Pro Image 100 is a perfect mid-range film that offers amazing quality for a middle of the road price. It’s not as crazy expensive at Kodak Portra 160, 400 or 800, but it isn’t quite as cheap as Kodak Gold 200 or Kodak Ultra Max 400. Both of those films are great if you’re looking for something standard, but I find the Kodak Pro Image 100 to come across as a little more professional with realistic color tones and lovely sharpness.

For some reason, it took me a while to get around to shooting with Kodak Pro Image 100. I just always gravitated towards Kodak Portra because many of my favorite photographers used it and it has excellent skin tones and gorgeous greens and blues. A lot of the cheaper films are unreliable with color saturation and often end up with excess orange, yellow, green or blue tones that can be difficult to remove during editing. But Kodak Portra offers the perfect amount of saturation that doesn’t look flat but also doesn’t look overly bright and unnatural. I have a full blog post about Kodak Portra 400 if you’re interested in seeing some sample photos! Eventually though, I got tired of spending so much money on film! While I still purchase Kodak Portra 160 and 400 fairly often, I reached a point where I needed to try out some more affordable film to see if it could keep up. And lately, I’ve made it a goal to try out every film stock out there! It’s been a fun adventure so far and my refrigerator is currently stocked full of 35 mm and 120 film that I’ll be testing out soon!

Overall, I’ve been pleasantly surprised by how well Kodak Pro Image 100 handles colors and light. I realized while I was editing the photos for this post, that I barely needed to adjust any color temperatures or remove excess saturation at all! The colors are accurate and natural, if not a little bright for my taste. However, this film is perfect for testing out old film cameras because it has an ISO of 100 which allows me to determine just how sharp a camera lens is. And when I’m shooting 35 mm rolls just for fun, it’s nice to have those bright pops of color when the photos are somewhat simple. I typically just walk around town and photograph trees, flowers, landscapes and portraits of my pets and my husband when I’m testing out a camera, so it makes a difference in the excitement level of the image when it’s brighter with a little extra contrast. Kodak Portra is better for fashion, portraits, and weddings because of the stunning colors and skin tones, as well as the way it handles highlights and shadows, but Kodak Pro Image 100 is just more fun and silly. It’s great for candid, lifestyle photography or day trips to the beach. It really makes flowers and foliage pop without over-saturating, which is a major feat for such an affordable film. Lately, I’ve been preferring Kodak Pro Image 100 over Kodak Gold 200 or Kodak Ultra Max 400 because Kodak Gold is often a bit too warm for my taste, unless I’m photographing at the beach, and I find Kodak Ultra Max 400 to have some unnatural-looking blue and green tones. As I’ve mentioned, Kodak Pro Image 100 is just the perfect in-between film that isn’t insanely expensive, doesn’t require a lot of editing and color adjustment, and truly captures a moment as you see it. While I wouldn’t say it’s the most magical, stunning, exciting film out there, it’s a straight-forward, approachable film that won’t break the bank. I just wish Kodak would make a 120 version of this film because I could really use a mid-range price tag on some medium format film!

WHERE TO BUY KODAK PRO IMAGE 100 FILM

B&H Photo

Amazon

If you’re looking for more 35 mm film stocks to try, make sure to read my blog post, The 5 Best & Affordable Black and White Film Stocks or The Best Color Film for 35 mm Cameras.

For the photos I’ve included below, I used a Minolta Maxxum STsi 35 mm camera and a Samsung Evoca Zoom 115. These are both super fun and affordable 35 mm film cameras. I also have a YouTube video about the Minolta Maxxum STsi here and a video about the Samsung Evoca Zoom 115 here!
If you found this post helpful in any way, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing.

<3 Myles Katherine