Ricoh 500GX 35 mm Camera Review with Sample Photos in England! | The Best Compact Film Camera for Travel

(By using the affiliate links and/or codes in this blog post it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

When I was planning my 16 day trip to England, where we’d be hiking 102 miles along the Cotswold Way National Trail, I knew I needed to choose my cameras very carefully. Not only would I be carrying them the entire time, but I was also potentially encountering various types of weather and lighting. I have a tendency to bring at least 6 cameras with my on my international trips, but I wanted this specific trip to challenge me to downsize. And let me tell you, it was difficult. Of course, I knew I was going to bring my Holga 120 GCFN as my medium format camera and my Canon G7X Mark II as my point and shoot digital camera, but I was having a hard time finding the ultimate 35 mm camera for this sort of adventure. That is, until I found the Ricoh 500GX.

THE STORY BEHIND MY SEARCH

I spent days researching 35 mm cameras. I made spreadsheets. I used Chat GPT like it was my job. When I’m looking for a new camera, there are always a few features I absolutely cannot live without. If you’ve been following me for a while, you know that I’m obsessed with multiple exposures. Searching for 35 mm film cameras that easily can create multiple exposures isn’t an easy task. For most people, that feature isn’t a deal breaker. But for me, on a 102 mile hike, it was absolutely a deal breaker. The other feature that was necessary for this trip was a super lightweight and small body. I didn’t want to weigh myself down and make the hike any harder than it had to be. I considered taking my Nikon FE2, one of my favorite vintage 35 mm cameras (you can read more about it on my blog here), but it was a bit too bulky to fit in my tiny camera bag I had purchased for this trip. I had also already decided which point and shoot 35 mm camera I was going to take (don’t worry, I have a full blog post coming about that camera too!) but I wanted to bring along a second 35 mm camera that was higher quality with sharper images and a better lens.

I was also working with a very specific budget. I was hoping to stay within the $200-300 range. There were plenty of cameras out there closer to $500 or $1000 that I would have loved to buy, but I’d already spent way too much money on gear for the hike. (P.S. I have a full YouTube series and downloadable PDF all about our hike, if you’re interested!)

I almost pulled the trigger on the Rollei QZ 35T but when I realized that the camera body wasn’t super durable and would not fare well in a rainstorm, it became too risky to spend that much money on a camera for this particular trip.

Typically, I prefer an aperture priority setting on my cameras. However, when I stumbled upon the Ricoh 500GX, it seemed to cover all of the topics I mentioned above, but it had a shutter priority setting instead. Not ideal, but still a partially automatic setting that would allow me to take photos quickly and easily. We had a lot of miles to cover every day, so I couldn’t spend the entire time fiddling with manual settings for every photo. The Ricoh 500GX was also super tiny and was known for it’s durable metal body. The original version of this camera (which also tends to be easier to find) doesn’t have a multiple exposure feature, but the Ricoh 500GX has a designated multiple exposure lever on the front of the camera. It’s also known for it’s sharp Rikenon 40 mm f/2.8 lens. The lens is built-in and non-detachable, which also helps to keep the camera small and compact.

HISTORY

The Ricoh 500GX was released around 1977 in Japan (somehow I always end up choosing Japanese cameras!) and was sold throughout the 1980s. It’s considered a compact 35 mm rangefinder camera and was one of the last styles in the 500-series line that was produced. The Ricoh brand wasn’t quite as popular as some of the bigger brands, which allowed it’s price point to stay relatively low. But that’s precisely why it’s a great camera. You get high quality for a low price.

WHY THE RICOH 500GX IS SPECIAL

Not only is it good value for the price, it also offers a few smaller features that most 35 mm cameras didn’t offer at the time. Some of these might seem like minor conveniences, but they truly make a difference. The Ricoh 500GX has a battery check light, a shutter lock (to help prevent the shutter from firing accidentally), a bulb setting for long exposures, a tripod mount, a film-loading indicator, a shutter indicator, and a “coupled” rangefinder focusing system. A coupled rangefinder allows for more precise focusing because the focus ring is mechanically linked to the actual rangefinder system. It can take some patience to get used to manual focus, particularly when it comes to a rangefinder, but this is a great camera to learn manual focus and get comfortable with it. Just as an FYI, the 500GX takes a PX675 mercury battery that is not made anymore. You do not need a battery to use the camera, but it will make the light meter work. The shutter priority setting does not fully function either without a battery, though I seemed to manage just fine in the Cotswolds without a battery in the camera. A modern replacement of the PX675 battery would be a PR44 battery.

All of these features are on top of the shutter priority, compact and durable metal body, sharp f/2.8 lens, and the multiple exposure lever that comes with the 500GX model. It’s a perfect blend between a point and shoot camera and a larger, more professional SLR camera.

HOW TO CREATE MULTIPLE EXPOSURES

I’m so glad I did a test roll before bringing it with me on my trip, because I quickly discovered that my multiple exposure knob was completely stuck and wasn’t functioning at all. My husband and I spent an entire day trying to loosen it. We tried rubbing alcohol, goo gone, grease, everything. The joys of vintage cameras! I swear, someone must have glued the knob in the closed position. I’m not surprised though, because if you’re not a fan of multiple exposures and the setting annoys you, I can see someone getting sick of it and gluing it shut. In order to use the multiple exposure setting, you have to first twist a small circular lock knob into the green, “open” position. This will free the multiple exposure lever, which you then slide into the direction of the arrow until you feel it stop. This has re-cocked the shutter and you can take another photo. Just make sure not to wind the advance lever until you’ve taken your second exposure. In my case, we were able to slowly move the circular knob into the open position (with a LOT of pressure), but it is permanently stuck there. So, essentially, my camera is always primed for the multiple exposure setting. In a fully functioning 500GX, the circular knob would automatically switch back to the red, “closed” position after you’ve taken your second image. I don’t really understand why Ricoh felt the need to make it a two-step process, but I’m just glad that I was able to get mine working!

FINAL THOUGHTS

Looking back on my trip, I don’t think I could have found a more perfect 35 mm camera. While the camera was actually a bit heavier than I’d anticipated, it’s because the body is incredibly sturdy and rugged, ideal for a hike with unpredicatable weather and rugged hillsides. On the flip side, it was much smaller and more compact than I expected, which I absolutely love, of course. I was able to bring 4 cameras with me that somehow magically fit inside my tiny camera bag. I posted a full YouTube video about the various cameras I brought with me. You can watch it on my channel here!

I also just think the camera itself is so beautiful and classic. The black and silver styling, the cute tiny lens, the sharp edges. It’s one of my favorite cameras to look at, that’s for sure. Not to mention, the satisfying click that you get with those vintage 35 mm cameras every time the shutter releases. There’s just nothing like it!

I know with 100% certainty that this camera will be going with me on many more trips. Because it’s so compact, there’s really no excuse for not bringing it with me everywhere! I dropped it into a field of cow manure on our trip and it came out without a scratch! I have a tendency to drop my cameras, so the fact that it is such a sturdy little thing is a major plus for me. And while I’m not as comfortable with shutter priority as I am with aperture priority, I got used to it quickly and I was able to get the images I wanted with some thoughtful planning. I could rave about this camera all day because it really is amazing for the price. I truly think this one flies under the radar so make sure to snatch one up as soon as possible! I’ve included tons of sample photos below from our trip so make sure to browse through to help you decide if this camera is for you!

WHERE TO FIND THE RICOH 500GX OR RICOH 500G

RICOH 500GX

Etsy

eBay

RICOH 500G & 500 (no multiple exposure option, but easier to find)

Etsy

eBay

KEH Camera

RECOMMENDED FILM STOCK

Kodak Portra 400 35 mm

Amazon

B&H Photo

Kodak Portra 160 35 mm

Amazon

B&H Photo

Kodak Gold 200

Amazon

B&H Photo

Lomography Color Negative 400

Amazon

B&H Photo

Ilford HP5 Black and White

Amazon

B&H Photo

You can read more about my favorite color 35 mm film stocks here or my favorite black and white film stocks here!

If you found this post helpful or inspiring, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing.

If you have any questions, I’m always happy to help! You can contact me here, or leave a comment below! Thanks so much for stopping by! You can also check out my B&H Photo storefront & Amazon Storefront for more camera/film recommendations. :) Have a magical day!

<3 Myles Katherine

(By using the affiliate links and/or codes in this blog post it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

Canon EF 50mm f/1.2L USM Review by a Full-time Photographer | Is it Worth the Price?

(By using the links and/or codes below it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

IS THE CANON 50MM 1.2L USM LENS WORTH THE PRICE?


You all know that the Canon EF 24-70mm f/2.8L II USM is the one lens I can’t live without. But if someone were to ask me, “Which lens takes the most beautiful photos?” it would be the Canon EF 50mm f/1.2L USM. I wanted to share a few of the reasons that this lens is so special, because if I wasn’t such a zoom lens girlie, this one would be my #1. It’s a truly incredible, versatile lens with amazing low-light capabilities and stunning bokeh. I’ll dive more into the details below, but I’m sure you can already tell this review is definitely a rave!


  1. IT’S THE BEST LENS FOR LOW LIGHT IN ITS CATEGORY

With a 1.2 ultra-wide aperture, you can’t get any better than that. As a wedding photographer, this lens has saved me multiple times in low-light situations. It can find and pull light from any situation, even when there isn’t any! Once the sun goes down at a wedding, I typically pop on a flash (I use the Canon Speedlite 580EX II and/or the Speedlite 430EX II) to use with my zoom lens on my Canon 5d Mark IV, and then I’ll use my Canon EF 50mm f/1.2L USM with my Canon EOS R because it doesn’t need a flash! Having that blend of flash photos with naturally lit photos gives my photos variety for my client. This combination has become my go-to for weddings. It’s the best low-light set-up I’ve ever had. I actually kind of hate using my 24-70mm with the EOS R because I find the photos to look a little too sharp and digitized. It’s hard to explain, but the softness that comes along with the 1.2L lens when you’re shooting with the aperture wide-open just seems to work perfectly with the natural sharpness of the EOS R.

2. IT TAKES ABSOLUTELY BEAUTIFUL PORTRAITS

If you’re a portrait photographer, you need this lens. With the beautiful bokeh that this lens is capable of, you can create the most dreamy, emotive portraits. When I take my wedding couples out into a field or up on a hillside for portraits, I focus on using this lens for close-up portraits and I use my zoom lens for wider shots. Beginner photographers always ask me, “But how do I get that blurry, dreamy background in my photos that I see on Pinterest?” The answer is, this lens! Now, it’s definitely not a cheap lens at $1399, but I promise you it’s worth every penny. If you’re really on a budget, I recommend buying a used version from KEH Camera or eBay (just make sure you’re buying from a reputable seller on eBay with great reviews)! And just between you and I, the Canon EF 50mm f/1.4 USM lens is very similar, but substantially cheaper. It’s a great starter lens and will get you super excited to eventually upgrade to the f/1.2L lens. Sometimes, I even find myself missing my 50mm f/1.4 lens because I captured some incredible photos with it. But I know the 1.2L lens is much better in many ways, but still. Something about that f/1.4 lens was special! And it’s amazingly only $400!!! You can find it on Amazon here or B&H Photo here!

3. IT’S SURPRISINGLY VERSATILE

While it is a fixed focal length which can be limiting, in my opinion 50mm is the perfect length for versatility. I used to own the Canon 85mm f/1.2L lens, which is an incredible portrait lens (and I was so sad to sell it!), but I found it to be a bit too zoomed in for my liking. I noticed myself having to back up far too often to get the shot that I wanted. It was amazing for headshots, but that was about it so I ended up selling it, sadly. 50mm is closer to what your eye naturally sees, so it’s just a bit more intuitive. Plus, it’s just wide enough to capture a small group of people as well, so for that reason, it’s also ideal for weddings. You have to be quick on your feet and ready for anything at a wedding, and I find the 50mm to work perfectly as a designated portrait lens that’s also capable of more complex situations. I’ve spent the last 10 years perfecting my 2-camera wedding set-up and I couldn’t do it with the 50mm f/1.2L. I’ve even tried a 35mm fixed focal length, but it didn’t give that same dreamy, portrait feeling that I’m always looking for when it comes to photographing the couple. And when I needed a 35mm vibe, I would just use my 24-70 mm zoom lens to get wider shots.

4. IT’S A GREAT EVERYDAY LENS

You can really use this lens for any kind of photo shoot that you’re asked to do. I’ve used it for events, musicians, portraits, weddings, fashion, food photography… the list goes on. It comes with me to every shoot because this is really the lens you need to impress your clients. Sometimes with a zoom lens, it can be hard to create those expensive-looking photos since you’re limited by the aperture of f/2.8L. If you shoot with the wide open f/1.2 aperture on the 50mm, you can create some images that will truly wow your clients. It makes everyone look beautiful and gorgeous, and it doesn’t distort features in the way that a zoom lens can. I tend to shoot closer to the f/1.4-2.0 range because sometimes the f/1.2 can be a bit too soft. However, if that’s what you’re going for, you’ll love this lens.

5. FOR THE PRICE, IT’S AN INCREDIBLE DEAL!

When this lens first came out, the original RRP was $2499. With the introduction of the new RF line of lenses, the price of L series lenses has gone down quite a bit. This is great news because $1399 is actually an amazing price for this lens. While the new RF lenses are supposed to be incredible, the Canon RF 50mm 1.2L is substantially more expensive at $2299 (almost $1000 more)! Plus, there are so many options out there for buying used gear. For expensive gear, I nearly always buy used to save a few hundred dollars. However, if you have the money to invest in a new lens, it’s always worth it. You can go into it knowing that you’ll have years of shooting with it without a problem. And if someone dropped it or got it wet without telling you before you bought it, you wouldn’t have to pay the consequences when suddenly the autofocus or other mechanisms within the lens stop working and you end up spending $500 for Canon to repair it.

SO, IS THE CANON 50MM F1.2L WORTH THE PRICE?!

I’ll always have to say yes on this one. Especially because there are options out there to buy it a little bit cheaper if you’re on a budget. I would honestly die for this lens because the photos it takes are so dang gorgeous. Is that going a bit too far? Maybe! But it’s hard to put into words just how magical this lens is! My sister-in-law pretty much shoots exclusively with the 50mm 1.2L and her work just always looks so beautiful. It’s a great lens for creativity too, as the focal length adds a bit of surreality to your images. While 35mm is technically what your eye actually sees, 50mm is a tiny bit more zoomed in, adding a level of intimacy that we aren’t used to seeing with the naked eye. But it’s not so zoomed in that it’s difficult to work with, like the 85mm f/1.2L lens. It’s a perfect lens for a beginning professional because it automatically takes your photos to a new level. I’ve included a ton of sample photos below so you can decide if this lens is for you!

WHERE TO BUY

If you do decide to take the plunge, here are some options for where to pick one up:

CANON 50mm 1.2L USM Lens

NEW
Amazon

B&H Photo

USED
KEH Camera
eBay

CANON 50mm 1.4L USM Lens

(the budget option that is also a great lens)

B&H Photo

Amazon

CANON RF 50mm 1.2L USM Lens

(if you want to splurge and/or prefer an RF Mount Lens)

Amazon

B&H Photo

CANON EF-EOS R Mount Adapter

(I use this to attach my 50mm 1.2L to my Canon EOS R)

Amazon

B&H Photo

Hope that helps! Feel free to leave any questions/comments below. Best of luck in your photography journey! Thanks so much for stopping by! And don’t forget to stop by my Amazon storefront for more camera/film recommendations. :)

<3 Myles Katherine






Winner of Lomography's "Human Stories" Ten and One 2021 Competition with Black and White Photograph "Coquille River Light"

 

I’m honored to be one of the winners for Lomography’s TEN AND ONE 2021 Competition, in the category “Human Stories”. This photo was taken at Coquille River Lighthouse in Bandon, Oregon. It was truly one of the most beautiful and inspiring places I’ve been.

For prints and sizing, please contact me here.